Francesco Carrozzini

Billie, an ambitious New York art executive, travels to Rome to purchase a valuable painting. When her fiancé confesses he’s in love with another woman, a distraught Billie loses control, botches the deal, and ends up losing her job. Instead of returning home, she decides to stay in Rome – determined, for once, to simply enjoy life. Between aperitivos, reckless adventures, and a string of dates, Billie learns to live in the moment… until she discovers she’s pregnant. Not knowing who the father is, she hires private investigator Tommaso to help her solve the paternity mystery. As they navigate Rome together, their initial friction gives way to an unexpected attraction which turns into an emotional journey that forces both Billie and Tommaso to face their fears – and open up to the possibility of new love.

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Therapist Olga runs an exclusive therapeutic community for people deeply marked by trauma in a remote countryside farmhouse. By her side is her son Lorenzo, fragile and troubled, bound to her by a deeply complex and intimate relationship, The arrival of enigmatic Tommaso, who seems to know long-buried and unspeakable secrets, disrupts the group’s fragile balance and profoundly undermines the bond between mother and son. As manipulation and guilt intensify, the line between healing and madness becomes increasingly blurred, leading to an inevitable reckoning.

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The story of Bestie di Satana, born in northern Italy in the second half of the 90s and continued until 2004 and the last trial in 2007, concerns a group of young people and their descent into hell. The case, with murders and incitements to suicide, had an important echo also abroad.

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A documentary film that chronicles the extraordinary personal and entrepreneurial journey of Renzo Rosso, one of the most visionary figures in international fashion and communication. It tells this story by engaging with and utilizing artificial intelligence in a provocative and original way, placing the debate over the boundaries between human creativity and technology—and between the real and the artificial—at the heart of the film.

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