Cheung Wood-Yau

Xing Feng is a top model with a passionate and carefree personality. She is only interested in Man Shi Hua, a man who matches her well and is a social celebrity. However, after a fight, Xing Feng meets Ye Jia Cheng, a design student and amateur photographer. They fall in love but their relationship is destroyed by Xing Feng's mother. Later, Man Shi Hua misunderstands Xing Feng's relationship with Ye Jia Cheng and seeks revenge. He distances himself from Xing Feng, leaving her heartbroken. Xing Feng moves in with Ye Jia Cheng and they become a couple. However, when the police investigate a case involving Man Shi Hua, he frames Ye Jia Cheng for it. Xing Feng confronts Man Shi Hua and agrees to spend the night with him in exchange for him dropping the charges against her boyfriend.

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The Adventurers is a TVB television series, premiered in 1980. Theme song "The Adventurer's", and the sub theme song "The Sentimental Debts" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Jenny Tseng.

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Set in 1930s Guangdong, when the gambling industry was in full bloom. One of the greatest gamblers in all of Southern China is Law Sei Hoi, who is dubbed as "Divine Eyes of the South" due to his keen eyesight, which he has used to win a great number of games. In addition to his recognition as a highly-skilled gambler, Law Sei Hoi is the owner of a number of casinos in Guangzhou. Tam Sing, an orphan, wanting to be a gambler himself, pursues Law Sei Hoi, asking him to accept him as a disciple. A blossoming romance begins to emerge between his teacher, Law Sei Hoi and his older sister, Tam Siu Tong, who is a well-known Cantonese opera singer. Hung Biu, the rival of Lo Sei Hoi and a gambling tycoon from Guangxi, however, plans to take over the Guangzhou gambling industry.

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The Passenger is a TVB television series, premiered on May 28, 1979. Theme song "The Passenger" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by George Lam.

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The Heaven Sword and Dragon Saber is a Hong Kong television series adapted from Louis Cha's novel of the same title. The series was first broadcast on TVB Jade in Hong Kong in 1978.

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A House Is Not a Home is a TVB television series, premiered on 1 August 1977. It is a very successful classic series boasting the likes of stars Liza Wang, Simon Yam, Ha Yu and also veteran actors like Bak Man-biu, Tang Pik-wan and Lee Heung-kam. The show became a 1970s drama classic, well-known also for its theme song, "A House Is Not a Home"; 家變, which was composed and arranged by Joseph Koo, with lyrics by the late Wong Jim and sung by Roman Tam.

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Guo Ziming is a solid, cold outside and hot inside . Because his younger brother went astray, he regretted his whole life. Therefore, he determined to serve the society and take the rescue of unscrupulous young people as his own duty. After graduation, Guo Ziming joined a social youth center and became a social worker. Although he is full of enthusiasm, but there is always a distance between his ideal and reality. He often has to face the rejection and insults of unscrupulous teenagers and their families, as well as the intimidation of the underworld and the ignorance and misunderstanding of social work by the general public, which make him work at work. I often encounter a lot of setbacks.

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Liu Zhong-yuan is a famous martial artist who lives in seclusion with his family. His eldest daughter, Liu Feng, helps him in the clinic while her husband works in England. His second daughter, Liu Yi, has no interest in learning martial arts. Instead, she attends university while her brother, Liu Long, spends his time fighting. Concerned for his son's well-being, Liu Zhong-yuan decides to open a martial arts school. However, Liu Long desires to become a movie star, leading to conflicts with his family and involvement with the criminal underworld. Can Liu Zhong-yuan use his martial arts skills and sense of justice to help his son find his way back?

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Working as a telephone operator on the nightshift, David Lau received some calls from a woman for a David and agrees to a blind date. Wearing a violet on his lapel, David mistakes someone else for his date. Jennie Lee, a stranger, comes calling at the hotel, addressing a bewildered David with an intimacy that is familiar and awkward. Mok Yu-fuk, the self-proclaimed Sherlock Holmes, follows Jennie but gets robbed. Lau received an invitation to Jennie's birthday party. The guests acting strange at the party. Jennie and Lau take a stroll along the beach. Jennie suddenly hurls herself into the sea in a run. Five years ago, when Jennie was having a heart-to-heart talk with her fiance David Wong on the beach, her neglected brother ran off to the sea and drowned himself. Suffering from a nervous breakdown ever since, Jennie was devasted by the departure of her fiance to America. The hopes Jennie's parents are pinning on the new David to boost their daughter's recovery are merely wishes.

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Continuing from the first Jane Bond film, Black Rose (1965), Mei-yu and Mei-yu infiltrate the underground group of Golden Yanluo (Chinese: Judge of the Underworld) to save Man-fu and Nanny back.

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Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest.

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When the village is reportedly terrorized by a ghost of the mad woman, the superstitious great-grandfather refuses modern approach and insists to rely of witchcraft to solve the problems of the village, ensuing tragedy after tragedy.

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HK horror film.

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Sea Sea Sea Sea

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Married and with a son on the way, Zhang takes shelter in a big old house haunted by a ghostly female vampire.

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Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

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Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

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Based on the novel Qijian Xia Tianshan.

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During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.

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This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.

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A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

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Autumn Comes to Purple Rose Garden

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Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

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A Chinese musical fantasy.

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Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

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The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

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