Gal Uchovsky

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In 1985, there were three gays who were out of the closet in Israel. By 1998, there were 3,000. In this short, intensive and dramatic period, Israel came out of the closet in one of the quickest and most colourful revolutions of the end of the 20th century.

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A gay New York Times travel writer comes to Tel Aviv after suffering a tragedy. The energy of the city and his relationship with a younger man brings him back to life.

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A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.

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The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the rest of the country and the turmoil it's going through. The movie looks at young people's lives in Tel Aviv through the POVs of gays and straights, Jews and Arabs, men and women.

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Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

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These short television dramas brought young Hebrew writers together with a new generation of filmmakers. The prevailing topic is love between young urbanites.

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