Efe Çetinel

Iskender was a feared gangster in the dark alleys of Istanbul, known for his own rough code of honor—until betrayal left him bleeding and stripped of everything he had built. When he opens his eyes in a quiet Aegean town, he finds himself surrounded by warmth he has never known: a caring mother, a blind little sister, a home that feels like it was always his. The townspeople believe he is Kamil, a long-lost son returned; only he knows the truth. But the past never lets go—old enemies, blood feuds, and the ghosts of his choices haunt him still. As he uncovers a shocking secret—that this family is bound to him by blood—Iskender stands at a crossroads. Revenge or redemption? Will he remain the ruthless survivor the streets created, or dare to become the man he was meant to be? This is a story of love, betrayal, and the price of becoming truly human.

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Centered around a personally troubled, officially discredited police chief and his inharmonious police team in Ankara Police Force. Even though the show usually focuses on murders and other crimes that happens on a weekly basis, the undertone of the story leads to an eventual duel between Behzat Ç. and the rotten department officials and bureaucrats.

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Centers on a group of weary Middle Eastern refugees who have made their way to Turkey to apply for European visas.

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In a typical western Anatolian town with two-story wooden houses, a square, and narrow streets, Liberation Day is approaching. A group of locals has formed a choir and begun preparations for a classical music concert for Liberation Day. The choir is nearing the end of its rehearsals. Although the choir is not entirely harmonious, they have managed to achieve a certain unity and are now in their final rehearsals before Independence Day. They are all working together on Sadettin Kaynak's piece titled "Spring Is Over, Autumn Is Over." Everyone is filled with excitement for the upcoming concert. When the town wakes up the next day, everything seems to be the same as before, until two large black jeeps appear at the town limits and stop in front of the town hall. From the moment the three or four Chinese men who emerge from the jeeps, accompanied by a Turkish businessman, head toward the town hall steps, nothing in the town will ever be the same again.

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