Roger Seneviratne

Manju, once aspiring to become a Catholic priest, is pulled into the violent underworld after his uncle's murder. Meanwhile, Lucky, a gangster turned political enforcer, rises to power by serving a powerful minister. As both work under rival ministers in the same political party, their clash over control of the underworld sparks a deadly conflict amid an escalating national crisis.

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A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

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Ran Sayura is a 2017 Sri Lankan action film directed by Sudesh Wasantha Pieris and produced by J.H. Wasantha Kumara and S.A. Sanjeewa Kumara under their Mahee Tharu Films banner. The film features Wasantha Kumaravila and Roger Seneviratne as the leading actors and Himali Siriwardena as the leading actress.The film was released on 16 February 2017 in Sri Lanka.It is the 1269th Sri Lankan film in the Sinhala cinema.

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Ranja along with Vihangi and her mother come to the Colombo city to meet the minister, they've elected to the parliament, to hand over a petition about a factory in their village which poisons village river. All three of them stay at Ranja's childhood friend Jonny's house at Colombo. Meanwhile, a local goon named Swarna and her brother Kalu Vijay involved in many illegal activities in the area with the backing of the minister. One day, Vihangi accidentally collides with Kalu Vijay following which he tries to beat her but is saved by Ranja. Ranja and Kalu Vijay get involves in a heated argument which makes Kalu Vijay angry towards Ranja.

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Vadeesha Devaminda Wickramanayaka is a highly creative and sensitive young music student in his school. A special love letter that he finds accidentally, written by Punya, a women, more mature than him in both age and life, motivates him for some soul searching. He is also haunted by guilt, because he fails to deliver the letter, to who it belongs. His relentless efforts to return the letter to the women to her lover, fail. Sympathy mixed with emotions of love he feels towards this women, leads to him creating a song that captures a cathartic experience. This popular creation and many other songs that he gives birth to, for a period of 20 years, makes him a prominent musician in the country. But however, his memories and nostalgia towards Punya make him a failure in his married life. Although he regains his life by returning the letter to Punya after 20 years by chance, she is now left with a feeling of void her life.

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The legends of Ceylon's first king and his yaksha clan queen.

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Angara Dangara (2011) is a Sri Lankan Sinhala children's/family film centering on Gagani, a mischievous and stubborn teenage girl whose disruptive behavior in her city school leads to her being sent to a hostel. Eventually, she moves to a rural school in Monaragala, where a teacher helps her transform into a responsible, brave girl who saves a child from a river.

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A Coincidental meeting of a Soldier and an Army officer at a dark night, in a forest burning with war, between Sri Lankan Army and the Liberation Tigers of Tamil Eelam (LTTE). The Soldier's efforts born out of sheer respect to save the life of his critically wounded senior Officer become futile at the end. At the Senior officer's death, the soldier nagged constantly by his conscience and its questioning, feels that he too was responsible for the death of his Senior Officer. in the face of this, the soldier begins to probe into the past of the Senior Officer's life and engages in boundless sacrifice to bring justice to him, and in that process soldier gets Senior Officer's past wrongs corrected.

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This film indicated the formation of a cinematic language consisting of hyper-realistic images. The film won the award for Most Promising Director at the Critics' awards in 1994. It was also awarded Best Film, Best Director, and Best Screenplay at the 1998 OCIC awards.

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Duwata Mawaka Misa (translated as Mother Alone) is a critically acclaimed Sinhala film released in 1997. Directed by the legendary filmmaker Sumitra Peries, the movie is known for its poignant portrayal of family dynamics and maternal themes.

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Sri Lankan director Prasanna Vithanage sets this tragic story of the fifties in the walled city of Galle Fort, where Violet, a middle-aged woman, has raised two daughters alone. One is married and one engaged, and she seeks to get them settled as the reappearance of Victor, her lost first love, makes her wonder if she might also be happy.

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The story revolves around a young theatre group acting out the life and times of Ehelepola and Sri Wickrama Rajasingha.

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