Andrej Pipović

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

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The film shows how the whole society changes in war conditions, i.e. human nature in all layers of society, to incredible proportions.

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The story begins at the darkest moment in 1916 when the country is occupied, the army on Corfu. The plot follows the historical events until 1921 and the death of King Peter, ie the Great War, the liberation of the country, the creation of the Kingdom of Serbs, Croats and Slovenes, and the Kingdom of Yugoslavia.

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The story of the fate of boys and girls who go to school on the day of the Victory of Fascism on May 9, 1945. The script is based on true events and tells the fate of the children of the victorious and vanquished in a common environment at the end of World War II in Serbia.

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Story about the most influential Serbian dynasty of the Middle Ages.

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After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.

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Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

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