Saadat Hassan Manto

The story of a 'good-bad' madam who runs a brothel.

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This is an adaptation from the short story of Saadat Hasan Manto with the title, "Jhumke". A wife is accused of adultery and her husband leaves her along with her daughter. The husband works hard to send his daughter to the college. On the other side, his wife sold herself to prostitution. The story is related to ear pendants which cause the wife to sell her body to the house owner. The ear pendants now gifted to her daughter by a college fellow who fell in love with her. Now the father is also suspicious about her daughter. As it is a Pakistani movie, they have change characters name to Muslims name.

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Shikari is a Bollywood film released in 1946, directed by Savak B. Vacha, starring Ashok Kumar, Kishore Kumar, Paro Devi and Veera. The music was directed by Anil Chandra Sengupta, with Sachin Dev Burman as the background singer.

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Shamsher Singh (Kumar), a discharged military officer who wants to settle down as a farmer. His marriage is arranged with the educated Neela (Veera) who ditches him at the last minute and goes to the city where she learns that she stands to inherit a fortune if she gets married within 8 days. After rejecting several suitors, she finally falls in love with Shamsher Singh, whom she meets in the city unaware that he is the person to whom she was earlier betrothed. Singh treats her badly and she sues him but in the end the two realise that they love each other.

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Fazlu, a lifelong servant, is wrongly imprisoned after being blamed for his master's son's death. He escapes, believing his newborn is the child reincarnated. The film follows Fazlu's heartbreaking journey as he watches his family crumble under economic hardship, ultimately leading him back to prison.

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Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. The film is historically significant as India’s first indigenously made colour film. While V. Shantaram's Sairandhri (1933) featured scenes in colour, it was processed and printed in Germany, distinguishing Kisan Kanya as the first colour film entirely produced within India.

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