Eray Yumuşaker

The year is 2003, and the Private Çamlıca High School, once home to the legendary “Hababam Class”, is still in operation. The school’s founder has passed away, and his son, nicknamed “Mad Bedri,” now runs the place. The time-honored Hababam traditions continue in full force, and every teacher is so exasperated by the endless pranks of that class that they’re constantly looking for a way out. Seeing his chance, Mad Bedri plans to sell the school to a developer in exchange for floor space rights, so that it can be torn down and replaced with a high-rise office complex. When the principal, Fatoş, learns of his scheme, she enlists the help of the original “Hababam” alumni to save the school by taking on its current troublemakers. Tensions rise once Bedri announces the sale, and a huge surprise awaits everyone.

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In the middle of the night, a luxury jeep cruising the streets hits a poor villager on a moped. As the people in the jeep get out to see who they hit, the camera focuses on Reşo's life in the village. From that moment on, we begin to follow the life of Reşo, who lives in a rural area in the east. Following Reşo's story, the story of Yusuf, the editor-in-chief of a newspaper, and the shady dealings taking place at the newspaper are brought into focus. The story continues as the characters move toward the point where their paths collide.

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Kahpe Bizans tells us the story of Yetis Bey (Cem Davran) and his struggle with Byzantian Emperor (Illetyus) in a humorous way.

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The story revolves around the beautiful Nazan, the neighbor's daughter, who manages to remain a virgin despite marrying two of the neighborhood's handsome men, Selami and Cavit; the fierce competition between Selami and Cavit for Nazan; the schemes orchestrated by Nazan's mother, Necla; and the neighbors' curious observation of these intriguing developments, their astonishment, and their simple reactions. Nazan's mother Necla's schemes; the neighbors' curious observation of these intriguing developments, their astonishment, and the sudden media attention their simple lives receive, all told in a humorous tone.

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