Valentina Gómez

A seemingly perfect household unravels when an unexpected visitor arrives, exposing hidden tensions and political aspirations that threaten to tear the family apart.

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Jairo José Pinilla Téllez is the pioneer of suspense and science fiction in Colombian film. Pinilla was the first to use special effects in Colombian film and now, at the age of over 70, he is working to finish his last film. This documentary follows Jairo’s footsteps through Colombian film.

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Marcos, a withdrawn park ranger, sees the fragile balance achieved in his isolation collapse with the arrival of a couple of biologists investigating strange bird deaths. Unfortunately, the desire and envy for normality represented by the couple awaken the monster he has been trying to control. His face, his legs, and his arms don’t belong to him and as the desperation becomes incontrollable, he can only see one way out: mutilation.

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A dying man arrives at a hospital where the chaos of the health system is remarkable. As he waits in line, a newscast announces violent incidents and police officers search the hospital for the possible perpetrator.

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Bright and beautiful, 17-year-old Adelaida enjoys a comfortable family life with her parents in an apartment in Bogotá. But soon the cracks begin to show through the veneer of this picture perfect family.

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A black office comedy about a head of human resources who threatens to run away with his wife's best friend to escape the insanity around him.

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Three scripts, each one with independent storylines, have in common a vision of the Colombian capital in 2016.

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