Claude Lelouch

Life is paused. ACTION. Camera rolling. As Claude Lelouch's voice imparts the wisdom that comes with a life lived to the fullest, we leave that voice behind and join his camera. It will take us on a journey through his filmography, where actors perform the ballet of life and love.

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This profile of director Alexandre Trannoy is profoundly moving. But you would be forgiven for asking 'Alexandre who?' because Trannoy never completed a single film in his 30-year career, despite working on multiple projects and with illustrious names like Jean Rochefort, Anouk Aimée, Lino Ventura and Marlene Dietrich. A fascinating study of a noble dreamer.

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Canal+ Group hosted a live splashy American-style upfront presentation the Olympia in Paris, unveiling their prestige 2026 slate.

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An intimate look at the life of international icon Brigitte Bardot. With exclusive access and the full support of Brigitte Bardot and her team, we will uncover her life, with its hardships, trials and struggles, her work and her legacy.

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Claude Lelouch was a Jewish child in occupied France. In this documentary, he talks about the trauma he still feels from that experience, but also how it inspired him to become a filmmaker. The 1940s appear to be a formative period, key to understanding the work and career of this famous director, whose films and life have always been inseparable.

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The incredible adventure of what was supposed to be a three-month inventory project turned into a vast undertaking lasting more than fourteen years, an extraordinary reconstruction and restoration with unexpected twists and turns of one of the masterpieces of world cinema: Napoleon as seen by Abel Gance (1927).

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Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

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Experience the Cannes Film Festival from dawn until late night through the eyes and the voice of Messi.

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51 films to date, a unique body of work whose common thread is the search for love: this is the cinema of Claude Lelouch. As a Jewish child hunted during the war, the filmmaker offers his very personal vision of betrayal, scoundrels, good people, travel, parent-child relationships, and the ghosts of his deceased friends whom he will always love.

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In each episode, 3 celebrities who have never met go on a 24-hour break in the countryside. A moment out of time to meet and talk about love, friendship, life with its obstacles and surprises.

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Charismatic and resourceful, seducer and daredevil, Jean-Paul Belmondo has always played his roles as he lived, at a thousand miles an hour. He had only one passion: to entertain the public with his smile, his naturalness, his energy, his stunts. But contrary to appearances, his destiny was full of pitfalls. This film lifts the veil on a founding childhood that allowed him to overcome many obstacles throughout his life thanks to the tutelary figures of his father and mother. Told from the inside with the help of his autobiography, interviews and unpublished archives, this epic story traces the career of this turbulent young actor who launched the New Wave in Breathless before becoming the popular Bebel, an indestructible and provocative vigilante. From film to film, this documentary paints an intimate portrait of a man who built himself up to reach the top: his triumphs but also his trials, his doubts, his secrets, his angers, his clowning, his disappointments or his personal dramas.

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In each episode, one of the Nation’s most popular celebrities (actor/actress, singer, TV host, athlete) faces a group of 30 atypical journalists, all with ASD (Autism Spectrum Disorder). All have very different personalities, but one thing in common: a disarming naturalness that is full of truth! Through surprising, unpredictable, sometimes funny or poignant questions, viewers discover celebrities as they have never seen them before! In these questions: no calculations, no traps, but also no taboos and no filters. Faced with these very special interviewers, the guests naturally drop the masks and each meeting becomes a magical moment, out of time, filled with emotion, laughter, poetry and impertinence. The show is also nourished by various artistic sequences (music, poetry, drawing…) delivered by journalists endowed with an unsuspected talent.

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A documentary on filmmaker Claude Lelouch, following him over seven years.

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She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

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"And God Created Woman", "Il Sorpasso", "A Man and a Woman", "The Conformist", "Amour"... the list of successes by Jean-Louis Trintignant (1930-2022) may be impressive but his films say little about the man himself. A look back over the life of a discrete and deliberately enigmatic actor.

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A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

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To help Francis Hallé in his fight to save the last tropical forests, a documentary filmmaker with a passion for nature decides to make his first film: "The Botanist", an ecological thriller with Leonardo DiCaprio. He traces his path with malice, obstinacy, and discovers, with candor, the arcana of the seventh art. Even if he never gives up, will his film ever exist?

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A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

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The prodigious genesis of a monument of world literature, too often reduced to its popular success, also recounts the tormented conversion of its author, Victor Hugo, to the ideal of social progress.

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Reflec­tion of the soci­ety and vec­tor of the occi­den­tal cul­ture, Amer­i­can cin­e­ma influ­ences the entire world since its debuts.

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Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.

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Singers, actors, TV hosts, athletes and comedians: in each episode, several of them will have to seat in the already iconic SECRET SONG chair, in the dark, having absolutely no clue about what’s going to happen. But then, the music starts playing, the lights go up, and the magic happens ! What will their reaction be when they hear the first notes of a song that means a lot to them ? How will they feel when another artist that they know and love is there for an unexpected tribute ? How will they react upon seeing loved ones performing on stage for the very first time ?

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Illustrated by numerous archives and unpublished testimonies in France, this documentary traces the progress of the aborted edition of the Cannes Festival in 1968.

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In an increasingly crazy world, Lino, who has decided to leave everything behind, will come to realise that, at the end of the day, everything that happens to us is for our own good!

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A documentary on filmmaker Claude Lelouch, following him over seven years.

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Upon their release from prison twen­ty years ear­li­er, Gérard, Ary and Philippe asked them­selves if hon­esty was not the best rack­et of them all. Today, they are insep­a­ra­ble and scrupu­lous­ly above board. But Gérard learns he is ter­mi­nal­ly ill. Their friend’s days being num­bered, Ary and Philippe want to offer him one last love sto­ry… because, as Gérard likes to say : love is bet­ter than life.

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Remake of the famous short film C'etait un rendez-vous (1976), where Claude Lelouch shows us a Mercedes 450SEL, to the sound of a Ferrari 275 GTB, V-12 engine, which runs through the streets of Paris until the driver finds and gives a kiss on the beloved woman. This first feat without authorization from the city hall of Paris and yielded up to a few hours at the Police Station. This time everything was done within the law. A Ferrari SF90 Stradale, driven by Charles Leclerc, racing through the Monaco Grand Prix circuit, closed to traffic and pedestrians from 6:45 am to 9:00 am.

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That day, there’s tension in the air: Marianne has her car and dog stolen from a highway parking lot. Stéphane is constantly arguing with his wife. Noémie can no longer stand her husband Aldo’s infidelities. A little-known orchestra performs for the last time…

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They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…

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Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.

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A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.

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A war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the Alps with his new girlfriend. But his life is turned upside down the day that his best friend tries to reconcile him with his family by telling them a big lie.

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On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).

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A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.

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The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

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What on earth would extraterrestrials think if they could observe us? This is the movie they made.

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A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.

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Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

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A jazz singer and a British jewel thief are brought together by their mutual desire to forget the past.

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Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...

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Once a successful dancer, Miriam has abandoned her career to bring up her son, Serge, after her boyfriend walked out of her.

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Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.

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In WWII France, poor and illiterate Henri Fortin is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

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The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

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A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.

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In a vertiginous sequence, Claude Lelouch's camera follows Patrick Edlinger climbing with his bare hands one of the routes of the spectacular Cimaï cliff. The action takes place in the Consensus voice (7c+/8a+) at the Cimaï quarry. In a place large enough where Claude Lelouch had been able to take out his crane to make a vertical trip. Later, in 2013, the foot of the Consensus route will experience landslides, the climbing sector has since been prohibited by municipal decree, huge blocks threatening to fall.

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How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

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A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

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On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

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The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

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This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.

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The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

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Three friends navigate the ups and downs of love, relationships, and adulthood, each facing their own romantic challenges. One struggles with commitment, another finds himself caught in a web of misunderstandings, and the third embarks on a series of flirtations that lead to comedic complications. As their lives intersect, their friendships are tested through humorous and often absurd situations. Through a mix of heartwarming and chaotic moments, they each attempt to find happiness while dealing with the unpredictability of love and life.

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Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.

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Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

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Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.

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Young Jeanne falls in love with photographer Francis, who soon takes her with him when he emigrates to America. In a small town in the still wild west, they build up a small photo shop. Meanwhile, animal doctor David lives on his lonesome farm together with his unlucky wife. It takes years and two tragic accidents until Jeanne and David meet. She has already decided to return to France as soon as possible, but love, and fate, have other plans.

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Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.

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