Facundo Bo

A closeted gay man's attempt to "act straight" for the sake of his job has unexpected consequences.

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Simon lives in an affluent intellectual environment, headed by his mother Alice. Raphael, his cousin, belongs to the poor branch of the family, but Simon adores him. So he decides to help him become a writer.

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Laura, 35 years old, is married to Ricardo, an Argentinean cameraman, political refugee in France. They have two little girls, Ariane and Amélie. Laura works in a printing company, as a machine operator. When democracy is re-established in his country, Ricardo wants to return with his wife and daughters. But Laura refuses and the couple separates. Three years later, the young woman meets Didier Caillaux-Lalande, a young man who comes to print a book on Gustave Doré.

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Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.

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A playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.

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A historical television film directed by Jean‑Dominique de La Rochefoucauld, Richelieu, or The Day of the Dupes recounts the political tensions that came to a head in November 1630, when Marie de’ Medici attempted to remove Cardinal Richelieu from power. Blending court intrigue, the king’s illness, and decisive reversals, the film portrays the struggle for influence that ultimately cemented Louis XIII’s trust in his minister. Led by Didier Sandre, Patrick Raynal, and Dominique Blanchar, the telefilm offers a meticulous reconstruction of the events that shaped the kingdom’s balance of power.

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