Ariadna Asturzzi

After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.

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When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

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On his birthday, young police officer Francisco Revenga is sent on duty in the middle of the Patagonian steppe. During the journey, he stops for supplies at the Mustang, a combination general store and brothel. There, compromising images related to human trafficking are recorded on his cell phone. Over the next few hours, Francisco will discover the video, which will force him to make a life-altering decision.

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An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.

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A feature film that intertwines a handful of short fictional stories marked by the anguish that the death of loved ones always causes: two women who miss the same man, an old man who returns to the place where he lived experiences that left a mark on him in his youth, a rural town invaded by its own memories, and a mother who reunites with a son whose life hangs in the balance after insisting on unnecessary distancing.

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An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."

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After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.

Open details →