Hirofumi Kawaguchi

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A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.

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In the Ariake Sea of Saga, Kyushu, a man who has spent his life as a nori (seaweed) fisherman is deeply moved one day upon hearing Franz Liszt's masterpiece, La Campanella. Determined to play the piece himself, he defies the objections of those around him and throws himself into intense practice. At 52 years old, he begins a serious challenge to master one of the most notoriously difficult compositions—even professional pianists hesitate to take it on.

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Together with Shimada Akira (Hagiwara Masato), the last appointed governor of Okinawa during the war, Arai Taizo (Murakami Jun), the chief of police of Okinawa Prefecture, goes beyond his duties and strives to protect the lives of the citizens of the prefecture. As the ravages of war intensify, the two, who each carried a heavy cross during the Battle of Okinawa, desperately devote themselves to saving the lives of the Okinawan people, with the belief that "life is precious." A human drama, set in Okinawa at the end of World War II, depicting the preciousness of human life. Directed by Igarashi Sho of One Step on a Mine, It's All Over.

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A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.

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