Anna Ferencová

The short stories about marriage that Vít Olmer wrote for Playboy magazine when Arnošt Lustig was its editor-in-chief are witty, often with absurd punchlines, and clearly show that the author is a keen observer of life around us. He selected five of them for his new Czech comedy, whose common denominator is actor Jiří Krampol, the main character in each of them.

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Vít Dolejší, popularly known as Vitoušek, monitors the groundwater in the underground of the National Theatre, and when he gets fired because the theatre will go to the nuns, he has no choice but to inherit the Richmond Hotel in Karlovy Vary from his American grandfather and the five million dollars tied up in its rapid reconstruction. At that moment, however, he finds himself caught in the web of intrigues of a wealthy ex-broker called Boss, the hotel manager and former Aesthete Křiváček, and the cunning lawyer Wagner. However, not only big money is at stake, but also the charm of the notorious gambler Alice, with whom Vitoušek falls in love and then shows everyone that he is not such a fool as everyone thought.

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Twenty-one years (1968 - 1989) in the life of violinist Jan, whose life and social situation forced him to make compromises and personal concessions.

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Caesar is the name of the dog with which a little boy, only seven years old, sets out on a great quest to find his mother. She once gave him the dog before she emigrated. The boy does not agree with his father's intentions to remarry, even though the new mother is supposed to be a sympathetic governess from a children's sanatorium. The film was made at the very end of the former regime, but it was not released until the changed political situation.

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When a typical English mansion is sold, it turns out that an American ambassador is buying the castle with an unusual inhabitant - a 15th-century ancestral ghost, the husband of the original owner, Eleanor de Canterville. The ghost is serving a sentence for a violent act committed against his own wife. And only romantic love, in this case a poetic young man's love for Virginia, the ambassador's daughter, will free the ghost from the curse and the castle from the ghost.

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Children's film about a young boy who moves from the city to the country. At first he finds it difficult to make friends, until others discovers his gift with electronics.

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Engineer Pavel Hnyk is successful at work, but not very happy in his private life. He is approaching his fiftieth birthday and he can't shake the feeling that life is slipping away from him. The most effective medicine for such woes is amorous adventures, and Pavel indulges in them. His wife Alice is a lawyer by profession, so she knows about such cases, and because she is a wise woman, she passes them over in silence. One day, however, a new colleague appears at Pavel's workplace - the charming Slovakian Julie. A friendly relationship soon turns into a love affair, and over time it grows into a headless, destructive passion that cares for nothing and no one...

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A story about a life of a group of children in the foster home.

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This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

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A young veterinarian, Jiří Klimeš, returns to his native village after graduation.

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Hairdresser Žofka Stárková desires fame perhaps more than other girls. The petty plans of her fiancé František do not satisfy her wild imagination. Žofka suddenly gains popularity when, while on her way to get an autograph, she discovers the dead body of the famous tenor Helbich and is arrested on suspicion of murder. Helbich actually committed suicide because he lost his voice. After being released from prison, Žofka receives an offer for the lead role in a forthcoming film. The dubious fame confuses her. She leaves her parents' modest apartment and quits her hairdressing business. Unfortunately, it soon becomes clear that she has no talent for acting, and the desperate director has the film edited in such a way that Žofka practically disappears from it...

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