Diana Mumby

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis' reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

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A Justice of the Peace performed weddings a few days before his license was valid. A few years later five couples learn they have never been legally married.

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Advertising executive Alan Miller, a recovered alcoholic who now does interventions on behalf of Alcoholics Anonymous, is called to help Broadway actress Jenny Carey whose developing career is threatened by an increasing dependence on alcohol. Alan's growing interest in Jenny strains his marriage to Edna, with whom he has two children.

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When newlyweds visit Las Vegas, the wife's shady past comes to the surface.

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A civilian, ordered to report to his draft board, slips off into a dream about the army life ahead of him. He is assigned to a remote desert post where the soldiers crave female companionship. He forges orders that brings a platoon of WACs who are forbidden to fraternize with the soldiers.

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The Hansen School for Air Hostesses, operated by Celia Hansen, welcomes a new group of students; a librarian named Ruth Jackson; Lorraine Carter, a nurse; and Jennifer White, whose husband was an aviator killed in World War II. Ruth meets a smart-alec pilot, Dennis Hogan, but complications arise as Lorraine also has an interest in him. Jennifer meets a war-buddy of her husband, Fred MacCoy. All three women, with each other's help, makes it through to graduation day.

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After straight-arrow district attorney Joseph Foster says in frustration that he would sell his soul to bring down a local mob boss, a smooth-talking stranger named Nick Beal shows up with enough evidence to seal a conviction. When that success leads Foster to run for governor, Beal's unearthly hold on him turns the previously honest man corrupt, much to the displeasure of his wife and his steadfast minister.

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A farm girl has a romance with a ski instructor.

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On the run after being found sweet-talking the Sultan's daughter, Aladdin comes upon a lamp which, when rubbed, summons up Babs the genie. He uses it to return as a visiting prince asking for the princess's hand. Unfortunately for him, the sultan's wicked twin brother has secretly usurped the throne, someone else is after the lamp for his own ends, and Babs has taken a shine to Aladdin herself and is bent on wrecking his endeavours.

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Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

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