Diego Postigo

An immense fall-out between two sisters. A time for reproach and love. Something for a whole life between two beings produced by the same body but profoundly different. Together. And yet, irreconcilable. A fight to the death. Head-to-head. These sisters are our sisters. They are the multitude who live inside each one of us. That multitude is called: need, truth, struggle.

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A unique project that will mix different disciplines to create an exceptional fusion between the performing and audiovisual arts.

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A documentary that takes an emotional journey through the life and career of David Delfín, a unique, controversial, and revolutionary artist who was much more than a fashion designer. It portrays a complete and multidisciplinary creator who used couture to express himself and the catwalk as his megaphone. Beginning with the scandalous 2002 Cour des miracles show—known as “the rope show”—the film explores his artistic vision and his intimate world as a son, brother, boyfriend, and friend. Through moving testimonies from those closest to him, it reveals both his brilliance and vulnerability. In a tragic twist of fate, Delfín and his soulmate, model Bimba Bosé, were both diagnosed with cancer at nearly the same time; she died in January 2017, and he followed five months later.

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The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

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