Pedro Fasanaro

In imperial Brazil, a young woman stripped of her reputation is forced into exile from polite society. Recasting herself as Madam Beja, she builds an elite pleasure house that becomes a hub of political intrigue, economic power, and forbidden desire, using charm, intelligence, and ruthless strategy to bend the same men and institutions that once destroyed her.

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40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

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From Mennonite musings on the Amazonian pampas to wild Havana nights and bittersweet Rio love songs, if a roller-coaster of same sex desire is what you seek, The Latin Boys will take you there. The 6 short films are: Unicorn [Unicornio] (2014); The Good Friend [El amigo] (2017); Mila Caos (2011); Pray for Us [Ruega por nosotros] (2019); Carlito Leaves Forever [Carlito se va para siempre] (2018); I Am Yet to Make You a Love Song [Ainda Não Lhe Fiz Uma Canção de Amor] (2015).

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Greg and Alessandro are in the bedroom, looking at one another. The feeling of guilt and nostalgia of that moment may forever mark their lives, but it's only a gateway to allow love to walk freely amongst them. They look at one another. They feel one another. They love one another. Regardless of the unrevealed pictures or the unwritten songs.

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Peter is facing a relationship never experienced. Johnny has come a long way and follows the cycle of his life. Leave, stay, come back. SAILOR recounts an unexpected encounter, inspired by the song "Surabaya Johnny" by Bertolt Brecht and Kurt Weill.

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