Carlos Arau

A fairy tale about the political and socioeconomic realities of Mexico.

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When a Mexican film director becomes fed up with the crime and corruption in his homeland, he decides to single-handedly take on a powerful band of criminals.

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In the colonial New Spain Ana is a missionary who decides to support the indigenous people.

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She's sexy, shameless and loves taking people to their limit. She's a dangerous young woman who dreams about a jaguar that licks her naked body and sleeps by her side. Her past is bathed in blood and weird passions. Now she's met the man of her wildest dreams. He's dark, tough and mysterious. He likes robbing banks, trafficking in corpses and spicing it all with voodoo rituals. Together, the duo sets off toward Mexico destined to become the most feared outlaws in the continent.

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Tired of being mistreated by their husbands, Ema (Reyes Spindola), Clotilde (Elizarraras) and Chayo (Orozco) leave their past (children and husbands included) and begin an adventure that will take them to a cavernous cabaret in Guadalajara, a love affair with a hot-blooded young drug dealer and, finally, a popular and well decorated mexican restaurant in downtown L.A. In the middle, the three women will find their respective self-esteem and their true reasons for living.

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Acapulco H.E.A.T. is a 1993 syndicated television series that followed the Hemisphere Emergency Action Team [H.E.A.T.], a group of top-secret agents based in Acapulco, Mexico and recruited by C-5, a secret government coalition, to fight terrorism and international crime. The team kept a low profile, by acting as models and photographers who represented a Beach Fashion enterprise.

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During the rainy Christmas season, a troupe of five actors who are college students lose their way in the mountains of Hidalgo when they try to take a short cut. With their van in need of repairs, they are stranded in a village where a local boss, Don Elias, pays peasants to log the forest illegally. The five collegians have little sensitivity to village ways and are shocked to be treated as foreigners in their own country. When two of them witness assaults on the town's priest and on a harmless simpleton, and when Don Elias frames the troupe for murder, their cries of innocence fall on deaf ears. Vigilantes call for their deaths and give chase. Will anyone help them?

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