Rawshan Zamil

During the 1947 partition of Bengal, a man and a woman cross a river to begin life anew. Their journey manifests many roles against the backdrop of some horrific events and loss of life.

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In this tragic-comic study of religious hypocrisy, a disreputable cleric convinces villagers that their community is home to a famous holyman's grave.

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The second movie directed by Humayun Ahmed. Revolving around a folk singer, his love interest and the local aristocratic family's involvement, the movie offered some beautiful folk songs like Amar Gaye Joto Dukhkho Shoy by Bari Siddiqui. Golam Mustafa, Zahid Hasan, Mahfuz, Mukti and Shaon played the main characters in the film.

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After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma of whether to migrate from the land in which they have been living for centuries. But Shashikanta Sengupta, an eccentric lawyer, stubbornly refuses to leave his motherland. Widower Shashikanta has two children, Minoti and Bidyut. Anuprava Devi is an affectionate old aunt who lives with the family. The family has a house in Narail, a small provincial town on the bank of the Chitra river. Some Muslim neighbors eye Shashaikanta's house. But the family refuse to migrate. Shashikanta's children Minoti and Bidyut are friends with the neighboring Muslim children- Badal, Salma and Nazma. Minoti and Badal become more than friends. The children grow up.

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On a tiny river island in southern Bangladesh, life is tough, and every day feels like a fight to survive. The villagers live in fragile homes, battling floods, poverty, and the indifference of the world around them. Like insects and spiders in their small, overlooked corners, they cling to life, love, and hope, finding small victories and quiet courage in the face of constant hardship.

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The struggles of a middle class family in Dhaka.

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