Fritzi Haberlandt

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Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

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A year of decisions. The country and the city are on the brink, the future is open, no one knows where the journey will take us. The First World War has been over for a good ten years, the defeat not understood, the republic a permanent state of emergency. History has only granted it four golden years. The splendor is based on credit and is already threatening to fade. There are 15 parties in the Reichstag, from the far left to the extreme right, and every government is an impossible coalition.

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Beneath the decadence of 1929 Berlin, lies an underworld city of sin. Police investigator Gereon Rath has been transferred from Cologne to the epicenter of political and social changes in the Golden Twenties.

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The devil tricks a little boy off his laughter in exchange for assured wins in all his bets. It depicts his journey after the deal with the devil, how he loses his soul bit by bit with each win.

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The branch manager of a haulage company is found dead one morning, shortly before he had to dismiss an employee. All the employees are suspects and Inspector Maxi Schweiger tries to find out what really happened that evening.

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A Yenish boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The film addresses the complexities of the program director, the lives of the child victims, and the struggles of the child protagonist. More than five thousand children died in the Nazi euthanasia program.

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A gripping coming-of-age story set against the real culture wars and political events of Germany in the 1980s. The drama follows Martin Rauch as the 24 year-old East Germany native is pulled from the world as he knows it and sent to the West as an undercover spy for the Stasi foreign service. Hiding in plain sight in the West German army, he must gather the secrets of NATO military strategy. Everything is new, nothing is quite what it seems and everyone he encounters is harboring secrets, both political and personal.

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Horst Krause still can't believe that his sister Meta moved to Cologne because of love. When a stranger surprisingly asks for a room, some excitement returns. Albert has been abandoned by his wife and does not know how to proceed. But why does the sailor end up in Schönhorst of all places? Strange hints awaken buried memories - could it be that the liaison that Krause had with a circus artist in the summer of 1961 was not without consequences?

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Life could be so good for the children of Bollersdorf if the town had not been discovered by the Society for Consumer Research because of its mediocrity. New products are to be tested here. The market researchers know that what the people of Bollersdorf like sells well everywhere. But while the local parents enthusiastically take part, their children quickly get fed up with the annoying product testers. Even more so when they want to send their beloved grandmas and grandpas to a care home to bring the average age back into line. This is a case for the coati gang! Together with the clever coati Quatsch, the children hatch a clever plan: With adventurous inventions and crazy world records, they want to prove Bollersdorf's uniqueness so that the consumer researchers finally disappear again...

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Uli and Nora share an intimate, late love. But Uli always avoids the decision to stand on the common relationship. One morning Uli suffers a stroke during a tour of the harbor on the Elbe. He fights his way through the city to the reading room of the library where Nora works. At the last minute, an ambulance takes Uli to the hospital. In this situation, Nora is overwhelmed. When, on the initiative of her friend Eva, she fetches a few things for Uli from his apartment, a cell phone rings. At the other end there is an unknown female voice that sounds strangely familiar ...

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Ada Hänselmann presents her debut novel. However, the numerous guests are only interested in the 82-year-old legendary actor Nino Winter and his autobiography. The two meet again in the evening at the hotel bar. Ada involves Nino in a game - he is supposed to play a detective and shadow her. After a tour of the city, the games continue: Both are to answer any five of the other's questions honestly. Nino is skeptical, but eventually there are hundreds of questions, big and small, casual and existential, about life, love, fame, transience: what would Nino look like as a woman, what was nature thinking when it created the family, what does love sound like, what does death mean? Ada and Nino become allies of the night. They have to jump over their own shadows and a magical closeness develops between them. It is an encounter that neither of them will ever forget...

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Fifteen-year-old Maren wants to get away – far away. Aside from all the boys thinking she’s frigid, her recently love-struck mother is driving her round the twist. But she also has a father who she hasn’t seen for years. When Maren decides to get in touch with him, her mother finally spills the beans: He now goes by the name of Sophia and lives as a woman – just what she needs! Irrespective of her vexation, Maren risks a meeting and finds in Sophia a person just as hormonal and puerile as herself – a person who would actually prefer to be her best friend, at best even her mother. Can Maren accept that this life makes her father happy? TRANSPAPA is a compassionate and funny story of gender role-breaking, tolerance and the search for identity.

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Heiko Schotte (Schotty) works for a cleaning company, cleaning all kind of crime scenes. There he sometimes meets weird people and tries to solve difficult situations.

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Krause and Elsa are stunned: their sister Meta wants to get married. She chose the Cologne taxi driver Rudi Weisglut, whom she met two years earlier during Krause's cure on the Baltic Sea.

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At some point, a dead fox lies in the star lawyer's empty swimming pool. Later, much later, the former Attorney General Jasper Dänert lies dead in an empty bed. In between, an entire life comes to an end. Or rather, what was left of it. A powerful drama that tragically paints the biblical story of the prodigal son in the dreary autumn colors of East Germany. Full of guilt, denial, manslaughter - and a lack of atonement, which should have been the responsibility of Brandenburg's highest prosecutor. But when the murder happened, when the young hustler Jimmy was found dead in a rotten tree trunk, he was biased. More than that. He was the perpetrator.

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Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable thrown back into her past - to the time before she met her new love. Is what seems at first glance a cruel setback in reality actually a second chance?

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Udo is invisible - no one ever seems to notice him. He makes the most of it, working as a department store detective and living off other people's lives as they never notice him tagging along. Until he meets the one woman who sees him.

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Throughout her life Marga has shown little feeling for her daughter Sofia. But now she reveals fear, wounds and a deep longing for her long-deceased husband Juris. She becomes increasingly lost in her forgetfulness and suddenly demands, like a child, gentleness. It’s an uncomfortable situation for Sofia who must now take care of her mother. Sofia’s growing realization that Marga’s past also affects her own gives Sofia impetus to make a sudden journey with her mother to Riga. This is where Marga grew up and where she married Juris. But the more Sofia learns about her mothers, the less clear it becomes who she herself is.

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In his film "Berlin-Stettin", well-known documentary film director Volker Koepp embarks on a journey to the places of his own past: Born in 1944 in Stettin (now the Polish city of Szczecin) and grown up in Berlin-Karlshorst, Koepp has again and again met people and found places located between the two cities that he turned into the protagonists of his films – in Brandenburg, in Mecklenburg, and in Pomerania. Now, he once again returns to these places and finds out that his own biography overlaps with the biographies of his found again protagonists as well as with the history of this region. During his search for traces, Koepp at the same time finds new people, new regions, and new themes that are also worth becoming a part of Koepp′s narration.

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In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

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On a summer evening the circuit of the village policeman Krause suddenly went crazy. His doctor immediately prescribed a cure on the Baltic Sea for him. And so Krause and his sisters set off in the legendary "Dübener Ei". In the sanatorium he meets his roommate Rudi - an encounter with far-reaching consequences.

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When the writer Heinz Kilian goes to the doctor because of stomach problems, the doctor urges him to be accompanied on his upcoming reading tour by nutritionist Vera Hartel. The two elderly gentlemen, who are driven by long-time publishing house employee Hans Behling, engage in an ongoing psychological duel in which the writer stands for misanthropy and cynicism, the nutritionist for humanity and confidence...

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The story of Hanna, a woman who will not take life’s setbacks and knock-downs sitting down. Instead, she takes them in her stride, picks herself up and marches onward. This is a woman who continually draws new courage from her inexhaustible will to live. Whatever losses and uncertainties come her way, she remains true to herself.

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The focus is on the Gotland investigation team led by Inspector Robert Anders, who originally comes from Germany, his assistants Karin Jacobson and Thomas Wittberg, and the pathologist Ewa, played by Pippi Longstocking actress Inger Nilsson.

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