Julie Fuchs

Love, power and ambition meet on the stage of the Teatre de Liceu in Barcelona with L'Incoronazione di Poppea by Monteverdi directed by Jordi Savall and directed by Calixto Bieito.

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Jean-Philippe Rameau’s Platée is a masterpiece of the French operatic repertoire and was highly regarded by critics during the composer’s lifetime. Composed for the marriage of the Dauphin Louis, son of Louis XV, to the Infanta Maria Teresa of Spain, it was first performed at Versailles in 1745 and became an instant hit. The plot revolves around the ugly and conceited frog Platée, the victim of a machination of the gods who make her believe that she is loved by Jupiter. Is this Rameau mocking Princess Maria Teresa of Spain – reputedly a woman of little beauty? Or the French court, which saw itself as a new Olympus? This classic production from the Opéra national de Paris by Marc Minkowski and Laurent Pelly returns to the stage with an entirely new cast, featuring Julie Fuchs, Mathias Vidal, Jean Teitgen and Lawrence Brownlee in the title-role.

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co-production with the Teatro Real (Madrid).

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Clément Cogitore adapts a short ballet excerpt from Jean-Philippe Rameau's Les Indes galantes, with the help of a group of Krump dancers and three choreographers on the 3rd Stage of the Paris Opera: Bintou Dembele, Igor Caruge, and Brahim Rachiki. Krump is a dance style that originated in the ghettos of Los Angeles in the 1990s. It emerged as a result of the riots and brutal police repression that followed the beating of Rodney King.

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They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?

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Rossinis penultimate opera, premiered in 1828 at the Opéra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Opéra Comique its plot is transported to the time of the works creation with Frances military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalydès and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langrée leads the Orchestre des Champs-Élysées, the Chur Les éléments and a stellar cast of soloists in this delightful fools game. Mezzo-soprano Gaëlle Arquez shines with her superlative technique (Le Monde) and Julie Fuchss Adèle performance elicits more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine (Le Monde). A masterpiece! (Télérama), Pure pleasure! (Les Échos). Le Comte Ory at the Opéra Comique is a true musical and theatrical celebration where everything sparkles! (Bachtrack)

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An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

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Considered by some to be the greatest opera ever written, Don Giovanni was the second product of an incredibly fruitful collaboration between two geniuses: the legendary W.A. Mozart and the talented Italian librettist Lorenzo da Ponte. Based on Molière's Don Juan, the two-act dramma giocoso premiered in October 1787 at Prague's state theater to rave reviews. The 2017 Festival d'Aix-en-Provence brought Mozart's fabulously devious work to the stage once more in a production by stage director Jean-François Sivadie. Starring Philippe Sly (Don Giovanni), Nahuel di Pierro (Leporello), and Eleonora Buratto (Donna Anna), the excellent performance featured the acclaimed maestro Jérémie Rhorer at the head of the period instrument ensemble Le Cercle de l'Harmonie.

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Télématin is a French breakfast television news show, broadcast on France 2 since January 7, 1985. It is broadcast in Metropolitan France weekdays from 6:30 to 9:00 am CET. TV5 broadcast the show in Canada in its entirety until September 2011: it now shows a 90 minute version between 6:30 and 8:00 am Eastern Time, when the French original version is now 2h30 long. Télématin is hosted by William Leymergie. The show is daily seen by around 40% of the French morning audience, a very high percentage for French TV. In Metropolitan France, the newscasts are presented at 7:00, 7:30 and 8:00, with newsflashes at 6:30 and 8:50, and two press reviews at 7:20 and 8:30. The 6:30, 7:30 and 8:50 newscasts are usually presented by a female reader and the hourly newscasts by a male. The usual readers are Nathanaël de Rinquesen, Sophie Le Saint, Julien Benedetto, Sophie Gastrain, Patrice Romedenne and Frédéric Vion.

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