Marie Drucker

This is one of the blind spots of the November 2015 attacks, a piece of history that has been ignored and never told: an invisible consequence of that fateful Friday the 13th is that dozens of childhoods and adolescences were also cut short. That night, as a result of the various attacks, 69 children were left orphaned. Most of them reject the term "victim," which is too heavy a burden to bear.

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Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.

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In the context of the global health crisis, we tried to understand how the French public hospital system operated and, above all, how it held up when it was already in crisis. We filmed in immersion for several weeks, day and night, in the largest hospital in Europe, the Pitié-Salpêtrière, in the medical intensive care unit located in the Eole building. Who are beyond their function, these men and women who make up the nursing and non-healthcare staff: doctors, nurses, nurses' assistants, health managers, interns, administrative and technical staff...? This film gives a voice to the invisible people in the hospital, it shows the daily fight against illness and death, but it also tells of the joys, the internal debates on the complex and daily issue of aggressive treatment. It is the story of a human adventure at the heart of this micro-society that is the hospital.

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Charles’s solitude in a big city. Days come and go with no one to talk to. In a church, on a rainy day, he stumbles upon a stranger: A woman in despair after a funeral. Charles comforts her. He has just found himself a new activity: To bring comfort to people in mourning. He feels useful again. Another man’s sorrow is the key to his new existence.

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