Tere Medina

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

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When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

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Peregrina is a Mexican telenovela produced by Nathalie Lartilleux for Televisa and originally broadcast on Canal de las Estrellas from November 14, 2005, to March 31, 2006. It is a remake of the 1973 Venezuelan telenovela of the same name, created by Delia Fiallo. The story follows Peregrina, a young gypsy woman who works as a dancer in a traveling circus with her grandmother. After arriving in a coastal town, she meets Rodolfo, and the two fall in love, unaware that a dark secret from their past connects them. As family secrets, ambition, and betrayal emerge, Peregrina must fight for her identity and her happiness.

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Barrera de amor is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from October 10, 2005, to May 12, 2006. It is based on an original story by Liliana Abud and was adapted by Orlando Merino and Jaime García Estrada. The telenovela stars Yadhira Carrillo and Sergio Reynoso and was the final production by legendary producer Ernesto Alonso. The story follows María Teresa “Maite” Galván, a young woman deeply in love with the widowed veterinarian Luis Antonio Romero. Their happiness is shattered by the cruelty of the powerful Valladolid family, whose lies, abuse, and thirst for revenge force the couple apart. As Maite struggles against injustice and betrayal, she must fight to protect her loved ones and overcome the barriers that stand between her and true love.

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It tells the story of Carlota and Cordelia, the first a modest and withdrawn girl and the second, an ambitious and daring woman. What's similar about them is their appearance: they're identical, but they're not twin sisters. But fate will make doctor Álvaro cross their path.

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Rodrigo Junquera finds out he is close to death, he decides to ask the nanny of his young child, Virginia Martínez, a beautiful and honest woman, to marry him with the intention of preparing the road so she can look after his children when he's gone. Virginia has to deal with the contempt of Rodrigo's children who acuse her of being an ambitious woman who married their father for his money. Virginia is in love with Rodrigo's eldest son, Carlos Alberto, who has come to mistreat her after finding out she married his dad.

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Laberintos de pasión is a Mexican telenovela produced by Televisa in 1999. Starring Leticia Calderon, Francisco Gattorno, César Évora, in addition to the participation of Manuel Ojeda, Monika Sanchez and Azela Robinson.

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El secreto de Alejandra is a Mexican telenovela created and produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from December 1, 1997, to January 2, 1998. Created by Jorge Lozano Soriano, with adaptation by Lila Yolanda Andrade and Carlos Lozano Dana, the telenovela stars María Sorté and Leonardo Daniel. Due to its controversial theme of organ trafficking, the series was shortened to 25 episodes. The story follows María Soler, an actress trapped in an abusive marriage, and Alejandra Monasterio, a wealthy woman dying of terminal cancer. After discovering they are identical despite being unrelated, Alejandra convinces María to assume her identity so she can care for her young son. As María begins her new life, she becomes entangled in a dangerous conspiracy involving organ trafficking, deception, and family secrets while fighting to protect Alejandra's child and uncover the truth.

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Desencuentro is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from November 17, 1997, to April 3, 1998. It is based on the story El enemigo by Caridad Bravo Adams and Luis Moreno, with adaptation by Liliana Abud, Carmen Daniels, and Jorge Lozano Soriano. The telenovela stars Daniela Castro, Juan Ferrara, Ernesto Laguardia, and Alma Muriel. The story follows Victoria San Román, a young woman whose privileged life is shattered after the sudden death of her father leaves her family bankrupt. Believing that powerful businessman Andrés Rivera is connected to her father's downfall, Victoria travels to Mexico City determined to uncover the truth. There she meets Luis Torres, a widowed firefighter and devoted father, and finds herself torn between two very different men as love, revenge, family secrets, and deception shape her destiny.

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A Mexican telenovela produced in 1996. It was the last historical telenovela produced by Televisa. The plot tells the Independence of Mexico, with an emphasis on historical accuracy.

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The lives of María Guadalupe, María Fernanda, and María Paula change tragically following an accident in which they lose their parents. María Guadalupe grows up unaware of her sisters' existence, but fate will bring them together.

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Pobre Niña Rica is a Mexican telenovela shown in 1995, starring with Victoria Ruffo, Ariel López Padilla, and Paulina Rubio. This telenovela contains 65 episodes.

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Alicia Sandoval and Eduardo Fuentes are already married and are happy waiting for the arrival of their first child. This incites Ofelia, Eduardo's mother, to take revenge on Alicia for having taken her son from her. Carolina and Luis Enrique are very much in love and ready to marry as soon as they finish school. Chole also lives happy for the marriage of her daughter, Lupita, with Jacinto, and also eager to have Alicia's son in her arms. ' On the other hand, Rosalía, Jacinto's sister, falls in love with a good man named Felipe, but she is forced to give up on him to marry Valerio, the son of a powerful and terrible businessman from La Antigua.

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La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

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Atrapada is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from August 19, 1991, to April 24, 1992. Created by Carmen Daniels and Liliana Abud, with literary editing by Tere Medina, the telenovela stars Christian Bach and Héctor Bonilla. The story begins when Antonio Montero, the wealthy president of the Montermex company, is found dead in what appears to be a suicide. Convinced that her father was actually murdered, his daughter Camila sets out to uncover the truth. As her investigation unfolds, she becomes entangled in a web of family secrets, betrayal, romance, and murder, where everyone around her becomes a suspect.

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In the early 20th century, the Montes de Oca family—comprising two sisters and a cousin—finds itself entangled in an intense love triangle. Matilde is in love with her cousin Rodrigo, who loves the other sister, Branca Flor; she, in turn, loves a humble fisherman. Upon discovering this, Rodrigo accuses the fisherman of theft, leading to his arrest. The lovestruck cousin’s malice knows no bounds; learning that Branca Flor is carrying the fisherman's child, he waits for the baby to be born so he can make it disappear.

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