Sérgio Graciano

Accused of adultery, Ana Augusta Plácido and Camilo Castelo Branco were imprisoned for more than a year in the Porto Prison, she in June 1860, he in October of the same year, after an adventurous escape from justice through the lands of the North.

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PLAYBACK is not just a biopic about Carlos Paião. It's a journey into the creative universe of one of the greatest geniuses of Portuguese music. Carlos studies Medicine, lives among books, exams, and expectations, but it is in the secret of melodies, words, and imagination that he finds the place where he truly breathes. In a country still discovering new sounds, he risks exchanging the security of a white coat for the uncertainty of stages, songs, and a dream bigger than himself. Between duty and desire, reason and intuition, fear and courage, Carlos builds a unique path, made of talent, humor, creative obsession, and an almost luminous urgency to leave his mark. PLAYBACK reveals not only the songs that made Carlos Paião an unforgettable figure in Portuguese music, but also the intimate universe from which they were born.

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In the quaint Galician village of Seara, journalist Lucía returns to probe a forest fire eerily tied to her family's dark past.

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July 1956. Álvaro Cunhal arrives at Peniche Fort and is placed in the most modern and secure prison wing, considered escape-proof. Despite the tight control exercised over the prisoners, Álvaro and his comrades manage to organize a small commune and provide support to the most vulnerable detainees, while looking for a way to escape.

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Ruy Duarte de Carvalho, poet and novelist, finds out that his father left papers in the Namib desert that would help him shed light on a mystery that occurred in 1923. Through his search, he embarks on an epic tale that goes from the turn of the 19th century to the end of the 20th, in the magnificent Angolan south.

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1986, just 12 years after the Carnation Revolution. The Left Wing is divided, while the Right seems on track for an easy win, which will give them both a President and a Government. The only one capable of stopping this victory is a man who fought his whole life against Estado Novo. Arrested dozens of time, deported and exiled, he was one of the first to arrive in Lisbon after April 25st. That man is Mário Soares.

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On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal.

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On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

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We are in 1320, in the newly formed country we call Portugal. Isabel, the Holy Queen, is the wife of Dinis, the king, and mother of Afonso, the heir, both involved in a civil war that affects everyone.

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With Don Quixote, by Cervantes, as a background the play is set in the backstage of a theatre house focusing on the routine of a young actor that's more of an extra - dreaming more than achieving, closer to failure than to talent he dreams of a life of glory and recognition. We watch romantic, artistic and social adventures and misadventures of a generations profoundly inept against another that simply gave up on being. A comedy about the fear of rejection with double edged swords and the tale of the knight of underachievement.

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The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.

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Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

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Alice is 20 years old and has been living in confinement since she was born, when she was diagnosed with a severe combined immunodeficient disease. Her immune system is very weak, so the only solution to keep herself alive is to be in a safe and protected environment: her home. Fred (20) is his best and only friend and it is through her that Alice lives.

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Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.

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A fable with people and furrys about the creative industry and the commercial arts.

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Reality is much stranger than fiction. There is a scandal that could be revealed and the Portuguese Government is nervous. The Minister of Culture and her team have a crazy idea that, for that reason, can work: to produce, together with Brazil, the biggest and most spectacular telenovela of all time: "Corte Tropical".

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The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.

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When a group of friends fail to lower the ladder of their boat, they find themselves stranded in the surrounding waters and struggle to survive.

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In the 17th century a warrior woman fights for the independence of Angola. After witnessing the murder of her son and watching her people being humiliated by Portuguese colonizers, Njinga will become a Queen and struggle for their liberation embodying the motto: those who stay fight to win.

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Álvaro and Maria do Carmo lived happily in Angola. He was a successful businessman and she was a mild mannered housewife. They have two children together, Ana and João, who were studying and living their teenage years in Luanda... Until the day the civil war broke out and everything fell apart. Amidst declarations of independence, a wave of violence breaks out and the established peace and order fades away. In July, 1975, the Mendonça family, along with over five hundred thousand people, leave their belongings behind and embark on an air convoy that would become the biggest exodus in the history of the Portuguese people to a homeland that most only knew from photos and dubbed it Metropolis. In Lisbon, Joaquim and Natália, Álvaro’s brother-in-law and sister, take the Mendonça family in their small apartment, where they will try to get their lives back in order. However, over that hot summer of 1975, the integration seemed to be far from easy.

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Five characters intersect at a sidewalk beginning a journey through their lives.

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An original and unique parody to reality shows. In Portugal, different celebrities, from different artistic areas, "live" together in a house where everything looks real, but it's not. Pure comedy and social satire.

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A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

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Maria is a Portuguese woman who emigrates to Vestmannaeyjar, a small and remote island in Iceland, in search of a better life for herself and her teenage daughter, Bela. Away from a past marked by domestic violence and deep secrets, she looks for freedom and a place to be herself. Six months after her arrival, Maria is found lifeless. Her violent death shocks the isolated community and exposes the secrets everyone is keeping. The investigation is placed in the hands of Soffía an Icelandic detective who, as she immerses in the investigation, faces her own crossroads, trying to balance professional duty and the ghosts of her past.

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Love, passion, mystery, betrayal makes the days of the Pôr do Sol estate. The Bourbon de Linhaça family owns the Pôr do Sol estate, but not everything is rosy...

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The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.

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Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

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