Mária Bancíková

A dramatic story from the environment of young actors, students of the Bratislava theatre school. Betka Šimanová, a young acting adept, is a diligent student, but diligence, perseverance and hard work cannot make up for her lack of talent. She comes to this realization only after experiencing many disappointments and setbacks.

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During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.

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Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.

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Police Lieutenant Vlado Hronec, together with the curious journalist Zvar, first search for the thief of important production documents, which they might be interested in even behind the Iron Curtain. At first, they think that engineer Kovalský stole them and fled with them across the border. However, when it is discovered that someone killed Kovalský, they have to start the investigation all over again...

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Nazi soldiers committed atrocities even when sober – and if they got drunk, they did even worse. The inhabitants of a Slovak village during the national uprising learn this when they have to accept an arrogant Hitlerite guard. When two soldiers go missing, the unit commander threatens to have five hostages executed for each of them as a warning. And he refuses to change his order, even when it turns out that drunkenness is to blame for the unfortunate incident. But the villagers get justifiably angry and take up arms.

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Slovak movie is based on the novel by the prominent representative of Slovak prose František Hečka, who was in 1952 awarded the State Prize. The novel and the movie successfully capture the development of Slovak village after the liberation in 1945. The narrative is centred around the characters of the old Púplava, who after the liberation begins to organise a new village life, and his struggle for the construction of settlements Mrzáčky, burnt by the fascists. It is centred around the conflict, greatly reflecting the situation of the countryside at this time: the conflict between the rural poor and the rural rich. In the movie, a rich personal and emotional life of other heroes pulsate besides the main storyline. The movie ends with the final defeat of the reactionary forces by Communists in February 1948, taking over all power in the state of workers and peasants. - "The Wooden Village" is released in celebration of the 7th anniversary of the Communist February Victory.

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Two roommates – Ivan Trnovský, a university student from a wealthy family, and Petr Gazdík, a young composer, try to win the affections of a young teacher, Hanka. She teaches schoolchildren to ski, and Ivan arranges a Christmas stay with her in the Tatra Mountains, in a cottage under the Devil's Wall...

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A young farmer, Jan Aleš, is drafted from his native Pošumaví to join the army. Since he likes his new environment, he stays with the army as a long-term serviceman. He even successfully passes the exams for the military academy. There he becomes friends with his Slovak colleague Milan Jurčík. He studies diligently, but thanks to Milan he sometimes finds time to go out into the city. That is how he meets the factory owner's daughter, Zdenka, with whom he falls in love. However, her father is not very happy about the promising relationship.

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Jánošík has been topic of many Slovak and Polish legends, books and films. According to the legend, he robbed nobles and gave the loot to the poor. The legend were also known in neighboring Silesia, the Margraviate of Moravia and later spread to the Kingdom of Bohemia. The actual robber had little to do with the modern legend, whose content partly reflects the ubiquitous folk myths of a hero taking from the rich and giving to the poor. However, the legend was also shaped in important ways by the activists and writers in the 19th century when Jánošík became the key highwayman character in stories that spread in the north counties of the Kingdom of Hungary (present Slovakia) and among the local Gorals and Polish tourists in the Podhale region north of the Tatras.

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