Lilia Prado

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Middle-aged couple's adult children decide to emigrate to USA. Third movie in trilogy.

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Set in 1934, and meant to dramatize social injustices, this melodrama examines an official's attempt at land reform. The landowners are against any reform and are also not interested in ending the exploitation of their workers. On the opposite side of the fence, the Native Americans have almost no way to better their living conditions or to fight oppression. They are also plagued by "superstition," which leads to some misguided actions that only make things worse. Violence and sexual encounters are interspersed throughout the story.

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Evil guy gratifies his ambitions and desires at any cost, and he prospers nicely. Until he doesn't.

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Solovino is called like that because no one knows where he came from. He is a miserable province man trying to improve his life, but sees himself forced to steal to survive. When he comes up with a large jewelry bounty a pair of cops offer him his freedom in exchange of the bounty and becomes the target of the police harassment.

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Young Raúl looks for his ex-girlfriend Alicia to resume their relationship, but she responds that she doesn't love him anymore. The young woman lives with her godfather Marcial in a hotel he owns.

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Boy is traumatized from watching his sex-worker mother with her clients; he grows up with a particular grudge against that one guy that used to come to see her...

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Two street gangs vie for primacy, which will give them control of drug smuggling and stolen jewelry.

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Weaselly bad guy wants to get in good with a woman he's hot for, so he frames the hero for a murder and then organizes a lynch mob against him... all to further her plans.

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A circus fakir performs a crucifixion act to earn enough money to secure a home for his mother. As the spectacle intensifies, the boundary between devotion, showmanship, and danger begins to blur.

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Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

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"Faith-healer" develops a cult-like following in 1920s Jalisco.

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A woman who fancies herself an aristocrat rejects a potential suitor because he's not of her class. Also: their adult children have their own drama, a bit inflected with hippie-ish values.

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Friends of Luis Buñuel discuss the director while Buñuel mixes drinks and entertains friends in his home.

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A man goes on a trip and then returns to his village pretending that everything went well for him.

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Saloon-owner's a hard guy and none too law-abiding; his twelve year old son comes to live with him and he starts changing his ways... but his past is likely to catch up with him.

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The film is a typical whodunit story, combined with a "ranchero" and western flavor. A young engineer arrives to his godfather hacienda, along with his fiancée. But the things got complicated when the godfather's wife reveals that she had an affair with the young man. One night, the young man's father is murdered in the wood, and he will look for revenge.

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Two ranchers competing over a woman. Cult actor Noe Murayama plays a mentally handicapped character.

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The family of a dying man celebrates his wake while the man is still alive, showing their darker, selfish ambitions and trying to take the best part of the inheritance.

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Hero vs bad-guy western.

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Western heist movie; a complicated bank job goes bad, and two groups of thieves fight the sheriff and each other.

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Reactionary local "Big Daddy" tries to prevent a school being built in his district.

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Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.

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