Isidro Fernán Valdez

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

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A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.

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Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

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A medical student convicted of debauchery is reintegrated into society. The film was produced in 1969 but released marginally in 1975 on the same day as 3 other more transcendent Argentine films, so it was forgotten almost instantly.

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A woman close to turning 40 is in a strange relationship with a teenager in the absence of her husband.

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A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.

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A gambling priest opposes a group of scammers.

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The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.

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A boy leaves home to take singing lessons with a teacher whom he befriends and a beautiful and ambitious young woman appears

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A boy comes from inside the country to succeed as a pianist, protected by a lady of high society. The woman, somewhat older than him, young man falls in love madly in unrequited love.

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Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

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Three stories about love and animals.

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Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

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Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.

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During a local festival, a mysterious stranger appears in town, heading towards a violent confrontation.

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An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.

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"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.

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The head of a criminal gang has all the power among his men until one decides to testify against him.

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A prostitute and a sewer worker try to rebuild their lives, but his ex-wife complicates the relationship.

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How crime is manifested in Buenos Aires city.

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