Pidi Baiq

Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

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In this 1980s prequel, Dilan reunites with his elementary school friends after a year and a half away and tries to impress a new transfer student.

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Years after his teen romance with Milea, a now-adult Dilan tells his version of their love story when a high school reunion brings them back together.

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During college in the 90s, Pidi and his friends, Ninu, Deni, Erwin, and Dikdik founded a country of their own called "The United State of the Republic of The Panasdalam". The problems of college and love stories they experienced.

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Dilan's involvement in the motorbike gang imperils his relationship with Milea, whose distant relative returns from Belgium.

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At a Bandung high school, charming and rebellious Dilan vies for the affections of shy new student Milea.

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Bandung is frightened because of the youth who left his family to join Baracas. Baracas is a place where men are disillusioned by women formed by Agus. They muster strength and unite feelings to hate women all over the world and on all the elements concerned with women. Agus is a former girlfriend of Sarah, who suddenly Sarah broke up their relationship. The resistance movement against Baracas accused the police and the city administration of deliberately allowing Baracas to flourish. That's why they are demos. Even Baracas got a physical attack. Resistance is also done by ex-girlfriend members of Baracas. They do various ways to change the way Baracas thinks.

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Plot under wraps

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Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?

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Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

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Three years after his love story ended, Sadali chooses a quiet life as a painter in Magelang and prepares for the most important exhibition of his career. His tranquility is disturbed when he hears the news of Mera's marriage and reunites with Mera and Arnaza, two figures from his past who have left scars. Trapped between regret, suppressed love, and a search for identity, Sadali must choose between being tied to the past or moving towards new meanings in love and art.

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An aspiring painter promises to return home from Yogyakarta after his studies and marry a local woman, but a gallery owner tests his commitment.

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In this 1980s prequel, Dilan reunites with his elementary school friends after a year and a half away and tries to impress a new transfer student.

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Abhimanyu was born a savant, diagnosed as autistic, and with the uncanny ability to hear voices remotely.

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Years after his teen romance with Milea, a now-adult Dilan tells his version of their love story when a high school reunion brings them back together.

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