Jiří Šimek

Prague 1942. The city is occupied by German troops. As the end of the war and the advancing Russian army comes ever nearer, the Czech chief inspector Beran and his assistant Jan Morava are hunting a serial killer. During his investigation, every step Morava takes is observed by Gestapo man Erwin Buback. Buback’s brief is to report to his Nazi superior Meckerle how closely the Prague police is linked to the Czech resistance movement. Then the Soviet troops reach Prague and in the armed rising against the occupiers even the most innocent become murderers.

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The six-part drama directed by Tereza Kopáčová based on a script by Miro Šifra and Kristina Májová returns to a love story that traumatized several generations of Czechoslovaks. What preceded the infamous family tragedy of 1968? What followed it? Where can disrupted relationships in a closed rural community lead? What do we take with us as an inner legacy from our parents?

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A devoted gardener and his wife live peacefully at the foot of a hill, tending their nursery according to nature’s rhythms. When a new castle owner seeks to transform the entire estate and demands they sell their garden business, the couple refuses. In response, the owner erects barbed-wire fences and places a guard at the entrance road…

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British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.

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A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

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Stories about parent-child relationships, fate, and the unknown forces that guide our steps unfold across several continents. A Japanese businessman wants to reconcile with the daughter he abandoned as a child and sets off with her on a journey to the Himalayas. Like him, a single mother in the Czech Republic receives a mysterious letter with important news. A painter and recovering alcoholic meets a beautiful woman and with her an unexpected opportunity for family life. A writer takes his friend and their inner demons on an expedition to the Indonesian jungle. A priest in New York has to deal with strange dreams, and an old man waits for his son to visit him in a remote place somewhere on the Baltic Sea coast. Each of the heroes faces a fundamental change in their lives, and their actions can influence the story of the others. Their separate journeys begin to intertwine and eventually merge into one great story of life.

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A misfit teenager, an anxious mother, and a recent widow see their day interrupted by a mysterious natural phenomenon. As their world descends into chaos, the three women struggle to find their place in life.

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Josef is looking forward to finally fulfilling his old dream of becoming a street clown after retirement. With his charm, he charms even the vigorous Maruška, the owner of the mobile cafe. It's like the two of you have been looking for each other all your life. But isn't it a little late for fateful love? In addition, his daughter Anička and five-year-old Honzík are currently moving into the villa with Josef. She thinks she's done with men for good, but meeting her old love, Pavel, hits her in the heart. A new girl, Evička, joins Honzík in kindergarten. Honzík experiences the feelings associated with love for the first time, he does not fully understand them, so he gathers advice from his mother, grandfather Josef or sympathetic uncle Karel. He also meets love in kindergarten when he falls in love with Honzík's teacher, Eliška. And to add to the rapprochement, Karl's basset Váleček gets along very well with Elišča's basset Šalina.

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Alex Plan, a school ombudsman, strives for fair solutions for everyone, often going against the grain of the system and established practices. He advocates for people experiencing problems in education and tackles issues such as teacher murder and student sexual harassment.

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Autumn 1968, the Australian running record holder Ron Clarke is coming to Prague, hoping that his old friend and role model, Emil Zátopek, the most famous Czech athlete of all time, will help him overcome the biggest crisis of his career.

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1950s. Under the communist regime, a struggling actor joins the KGB as an informant to make ends meet. He quickly finds himself caught up in a dangerous web of deceit and treachery.

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The fictional town of Šlukdorf. Here lives a car mechanic who calls himself Bourák. He loves rock and roll, dance, his own gelled hair and, despite being in his fifties, simply “refuses to grow up”. He forgets he has a wife. The only things he loves are Elvis, Cadillacs and anything connected with 1950s America. His daughter Kamila is fed up with life in the squalid town and with her irresponsible father. She is fed up with working in a casino with no windows, open round the clock; that her mother has caught the eye of the local gangster, who is clearly a dimwit; with her father behaving as if he has gone completely barmy. Kamila realizes she has to do something about it. She has to confront her parents with reality, as cruel as that may seem. A black comedy about everything that can happen because of a summer storm, a set of golf clubs, rock and roll, and one incredibly angry daughter.

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In December 1941, Czech soldiers Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich.

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Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.

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