Irina Likso

The director's story about his life in the Soviet Union before his departure to Israel in 1971. The movie interweaves chronicle-documentary footage and fragments of Mikhail Kalik's films.

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Pensioner organizes a meeting of former classmates fifty years after graduating from school. Many are no longer alive, but those who came touchingly remember their distant childhood and youth, the joys and sorrows of bygone years.

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A magical tale about a poor musician who one day stumbled upon a wondrous market stall. An old man there was selling incredible items — a magic mirror, an invisibility cap, a self-setting tablecloth… Among these enchanted objects was a marvelous self-playing flute. The old man gave the poor young musician the flute and the magic mirror, on one condition: they had to be returned in a year. A greedy rich man also took a liking to these magical things and, through deceit and trickery, tried to steal them — even throwing the musician into a dungeon. But what the greedy man didn’t know was that clever, enchanted things only bring happiness to a kind heart — and no wisdom at all to a foolish one.

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The young scientist has everything - an apartment, a car, a position in the scientific community, but his soul is as if immersed in hibernation. And only the death of his mother and a meeting with his matured daughter, who had her first and unrequited love, awaken his soul, which has fallen into lethargy.

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The film is a play about the collapse of the Vanyushins merchant family. The head of the family is a stranger to his children. The insight turned out to be cruel: sharp contradictions, anger, enmity, greed tear the family apart. Not finding a way out of this situation, he commits suicide.

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The young part-time student Boris Kulikov, upon arriving in the village of Kardymovka, learns that Buneev, the pier chief who lived there until his death, was his father. Interested in his father’s past, Boris discovers that Buneev once gave up his career as an architect after his bridge design was rejected. Boris strives to prove that his father’s ideas were innovative and valuable.

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Performance at the Maly Theater from the novel by the Russian writer Fyodor Mikhailovich Dostoyevsky.

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A story about the morals of 19th-century Russian nobility resonates in a striking way with the realities and ethical values of our own time. Emotions are paid for with money — money that is ruthless and destructive. A timely tale of a “spiritually impoverished” man of great wealth, confident in his power and certain of how to achieve his goals.

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Based on the play of the same name by Maxim Gorky.

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A staging of the play of the same name at the State Academic Maly Theater of the USSR.

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A production of the State Academic Maly Theater. The film, dedicated to the memory of Alexander Nikolayevich Ostrovsky, includes fragments of plays based on the playwright's plays: "We'll settle accounts with our own people", "Thunderstorm", "Wolves and Sheep", "The Abyss", "The Snow Maiden", "The Heart is not a Stone", "It Shines but Doesn't Warm", "Mad Money", "The Truth is Good, but Happiness is Better", and "It's not all for naught".

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A former front-line soldier, who worked at his post for a quarter of a century, local commissioner Lieutenant Semyon Mitrofanovich Kovalev, going to the department in the morning, was most sad that tomorrow he would no longer have to go to service: tomorrow he would be retired. But the last day of his service ended tragically.

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Ostrovsky and the Maly Theatre tell us an age-old story, as old as the world itself, about how some people are destined to be simple and meek, like sheep, while others are predatory and dangerous, like wolves. However, sometimes even the most seasoned predator finds themselves in a bind...

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In the boarding house of Wanda Ogrodskaya and her younger sister Anna, live the rich widow Sophia Parmen with her governess Yanina and the young lawyer Pyotr Bukovich, with whom all the women of the house are in love. Mrs. Sophia invites the lawyer to marry her, but is refused - Peter loves the dowry-free Anna. In revenge, Sophia gives a rich dowry to her governess, and Peter marries Yanina.

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In the capital of a European country, two people have gone missing. One of them is Theodore Amsted, a successful official, a family man, and a fairly wealthy person. The other is Michael Moginson, a strange, reclusive oddball living in poverty. Soon, a body is found at a military training ground, the victim of a bomb explosion. The police begin an investigation...

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The plot is based on the story of the English provincial newspaper "Northern Light", which was able to hold its own in the face of tough competition from large newspaper monopolies...

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Eugénie Grandet is set in the town of Saumur. Eugénie's father Felix is a former cooper who has become wealthy through both business ventures and inheritance (having inherited the estates of his mother-in-law, grandfather-in-law, and grandmother all in one year). However, he is very miserly, and he, his wife, daughter, and their servant Nanon live in a run-down old house which he is too miserly to repair. His banker des Grassins wants Eugénie to marry his son Adolphe, and his lawyer Cruchot wants Eugénie to marry his nephew President Cruchot des Bonfons, both parties eyeing the inheritance from Felix. The two families constantly visit the Grandets to get Felix's favour, and Felix in turn plays them off against each other for his own advantage.

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Alexander Chatsky returns from three years abroad, hoping to rekindle a romance with his childhood sweetheart Sophie. In the meantime, however, she has fallen in love with Molchalin, her father's scheming secretary. As scandal erupts, Chatsky is met with accusations of madness.

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The monotonous life of a provincial town Verhopoli violates the arrival of the railway builders - engineers Cherkun and Tsyganov.

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The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.

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