Corina Dănilă

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Robbers Ace and Scratch are caught in the act of robbing a casino vault and are caught after a long chase by the owner of the casino, who chooses not to send them to jail but instead hires them on as security consultants. The current head of security at the casino is not happy, but casino exec Amber couldn't be happier.

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Pasadia, Pantazi, and Cara team up with the ruffian Pîrgu, because “everything is vanity”. For these princes of lost nights, the only sacred thing is friendship, and “the mutt” is the best guide on a journey through the night.

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A bored female demon ventures to the surface world to punish the wicked before they enter her hellish domain.

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Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.

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The topic of the film points out the condition of an intellectual in time of totalitarian dictatorship, which subjugated an island from where you can not run. The only alternative is collaborating with power and internment in a rehabilitation institute. A famous writer returns to his homeland to try to confront the terror of an oppressive regime, but he ends up being himself corrupted-thanks to the aberrant system.

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