Eduardo Brito

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

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There is a village in the mountain and a house in the village, where Ema repeats gestures and tasks: she takes care of her grandmother, walks, reads, waits. Until one day the cycle breaks: what happened in the mountain house?

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Over the dark and barren landscapes of a city somewhere in the Arctic Circle, we hear the story of a man who dreamed he was a woman, an oneiric reverie that allows him to be in two opposite places at the same time. It is a beautiful metaphor, as well as a eulogy, about accepting what seems illogical, instead of looking for meaning, one that finds comfort in the darkness and restlessness that disturbs sleep, turning it into a space for the subconscious to rise

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And then, a house will appear to be waiting you: as in a slope, this is a leaning story on the memory of places and things, on returns and new beginnings.

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Penumbria was founded two hundred years ago, in a distant istmus - a place of arid soils, angry seas and violent weather. The city was due its name to the almost permanent shadows and cloudiness. One day, its inhabitants decided to leave, offering Penumbria to time. This is the story of an uninhabitable place.

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A voice asks the traveller: you've never been to La Ermita, but I am sure you've been there. When?

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Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

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A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.

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In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.

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In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

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Over the dark and barren landscapes of a city somewhere in the Arctic Circle, we hear the story of a man who dreamed he was a woman, an oneiric reverie that allows him to be in two opposite places at the same time. It is a beautiful metaphor, as well as a eulogy, about accepting what seems illogical, instead of looking for meaning, one that finds comfort in the darkness and restlessness that disturbs sleep, turning it into a space for the subconscious to rise

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Ribeira Quente is a fishing village in S. Miguel Island in the Azores facing the last days of a fishing activity as they know it.

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