Monika Oschek

A century ago, the world experienced a revolution in mobility. Cities like Berlin grew rapidly, with the Graf Zeppelin soaring over the city in 1928, sparking excitement for airship travel. These majestic airships made ocean crossings faster and more luxurious, and even enabled polar expeditions. At the same time, automobiles and motorcycles became staples for many, although streets became congested. Women like Amelia Earhart and Elly Beinhorn broke barriers in aviation, inspiring new possibilities for both genders in the field of technology. While air travel grew in popularity, trains remained the main long-distance transport. The era also saw an explosion of new mobility options, with faster, cheaper ways to travel across the globe, making the world seem smaller and more connected. However, this golden age of mobility would be cut short by the outbreak of World War II.

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The documentary addresses the questions, who are the film industry’s female faces? What are their voices, which experiences have they had, and above all: What do they wish for the future? In an interview format, the documentary focuses on the protagonists and their individual experiences. The ensemble includes nearly 30 actors, writers, directors, and producers. By means of personal conversations, the audience gains an intense and authentic insight into the lives of those working in film. During the filming in the following year, male-diverse participants were also invited to create a multifaceted discourse. The topics include structural and individual issues such as gender equality, power structures, female diversity, and much more. In dialogue with the participants, the documentary looks toward the future: Where are there promising approaches already, where are the opportunities for (self-)empowerment, and how can we initiate change, both individually and collectively?

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A hundred years ago, long-distance travel became popular and a social event instead of being expeditions as before. The new feeling of wanderlust arises. The five-part series depicts a journey around the globe with previously unreleased film footage from the 1920's and 1930's, photographs by onboard photographers, and travel writer's notes.

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Almost half a century ago, a young woman dared to speak out publicly with pointed theses on gender roles or abortion laws. The reactions were violent.

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Young Roman and his mother Oksana leave Ukraine and go to Germany, where she works illegally while they both live with Gert, an old widower who tries to befriend Roman, who struggles for his mother's attention and sees Gert as a rival.

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Alma is a scientist coerced into participating in an extraordinary study in order to obtain research funds for her work. For three weeks, she has to live with a humanoid robot tailored to her character and needs, whose artificial intelligence is designed to be the perfect life partner for her. Enter Tom, a machine in human form in a class of its own, created solely to make her happy.

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The dress is too lavish and the toilet cubicle too small for the bride to fit in. The ballroom is jam-packed and the mood is alarmingly good. Something is about to burst: the groom’s delusion of grandeur? The pregnant belly of deaf Betti? Her step-father’s patience? Or the wine-filled bladder of his ex-wife?

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Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

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This outstanding and sensitive drama series tells a young and family audience the stories of children who lived through a most difficult era in recent history - and who grew with its challenges.

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A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.

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Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

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Lucy is tired of being the perfect mother. When a department store security guard searches her stroller, he finds more than he could ever have imagined.

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In the fifth film in the series, the two chief commissioners Zorn and Schröder again investigate a truly tricky case in Halle. The script was written by Stephan Ludwig, who wrote the novel as in the previous productions. Directed by the crime-experienced Andreas Herzog. In addition to the two proven chief commissioner actors Stephan Luca and Axel Ranisch play again u. a. Alice Dwyer the prosecutor Borck and Katharina Nesytowa Zorn's girlfriend Malina.

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Berlin, 1888. After penniless Ida’s life is saved at the Charité Hospital she must work off the treatment costs. While she becomes acquainted with the most brilliant physicians of this era at the world-famous hospital, the self-determined young woman discovers her passion for medicine.

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Alexander Keller is dead in the kitchen. Next to him is his wife Leonie, who called the police and confessed to the crime. Did she kill in cold blood, was it manslaughter or self-defense? Public defender Gottwald gets to the bottom of her client's story.

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SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

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A long-running German television series about a two-man team of highway police, originally set in Berlin and later in North Rhine-Westphalia.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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