Claire Haywood

This film documents a unique collaboration between Indigenous and white historians from Australia and North America. In September 2004, a diverse group travelled through the Top End of Australia meeting representatives of the traditional landowners, and engaging in a dialogue about Indigenous history. The themes that emerged raised more questions than answers - from cultural appropriation and copyright, to land rights, the role of language and art, and what history means to Indigenous communities in the current climate of cultural reclamation and survival.

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The story of sisters Vicki and Beth, when Vicki begins an affair with Beth's intriguing French husband.

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An Australian television soap opera, set in a tough fictional inner-city district called Westside. The stories revolve around the local community there. Created by Forrest Redlich and produced by Network Ten from 24 January 1989 to 13 May 1993.

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Rafferty's Rules was an Australian television drama series which ran from 1987 to 1990 on the Seven Network. Rafferty's Rules was one of the first programs undertaken by the Seven Network's then new in-house drama unit, going into production in May 1985 as "a 15-part courtroom drama". The program had started out as a pilot episode, recorded in early 1984 with the actor Chris Haywood in the lead role. When the pilot episode was remounted later in 1984, Chris Haywood wasn't available and the lead role was re-cast to John Wood. This second recording was eventually broadcast as the program's first episode.

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THE PINK HOUSE tells the story of Kalgoorlie's last original goldrush brothel through the eyes of the colourful Madam Carmel, 70, and her longest-serving lady of the night, BJ. Filmed over several years and with unprecedented access to the inner workings of this unique brothel, THE PINK HOUSE is an intimate portrait of two women bound together by the past and their precarious future. And when darker forces begin to exert pressure, their fragile relationship is tested to its limits.

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This film documents a unique collaboration between Indigenous and white historians from Australia and North America. In September 2004, a diverse group travelled through the Top End of Australia meeting representatives of the traditional landowners, and engaging in a dialogue about Indigenous history. The themes that emerged raised more questions than answers - from cultural appropriation and copyright, to land rights, the role of language and art, and what history means to Indigenous communities in the current climate of cultural reclamation and survival.

Open details →