Gisela Steineckert

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East Berlin, late 1970s: Because she doesn't really have any particular career aspirations, Marta becomes a nurse. And since true love is a long time coming, the 17-year-old seduces Monty, the young man next door. Then there are her parents' marital problems. Marta is in the middle of the exciting trials of growing up.

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Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

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Although at first Ina barely takes any notice of Matti, the two teenagers gradually fall in love at their dance classes and begin their first real relationship. Their parents are upset about this development and try to prevent their children from seeing each other. But Ina and Matti continue to meet in secret and their first sexual experience together brings mixed feelings for Ina.

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Karin, who is in her mid-thirties, works as registrar but has been divorced for several years. Together with her 16-year old daughter Nora, she leads a happy and independent life. Then, she finds a new partner in the mathematician Peter, but does not tell her daughter about him. When Peter proposes marriage, Karin always comes up with new excuses why such a step is still too early for her. She mainly fears that Nora would not be able to cope with another marriage of her mother. But when Peter cannot be dissuaded anymore by her excuses and finally wants to marry her, Karin comes up with a bizarre plan.

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The story of the steel melter Martin Hoff, whose factory delegates him to a drama school, corresponds to the real life of the actor Manfred Krug. Like his (film) hero, Krug works as a steel melter, does artwork, sings and acts, and is sent to drama school. Like his hero, who behaves anarchically and conspicuously, Krug is soon expelled from school.

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