Charles I. Levine

A visually harmonic form, in which a variation of particular actions is made to produce a rhythmic structure .... The whole panorama of the winning of the West is at hand from horse and wagon to great railroad locomotives that charge across the plains and mountains relentlessly, always watched by the Indians. Stereotyped characters and actions are transformed and become larger than life, building blocks for a plastic mosaic.

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A cinematic tribute to the late blues singer Bessie Smith, with Bessie Smith as she appeared in the 1929 film St. Louis Blues and songs sung by her as well as a commentary read by Joseph Marzano.

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A realisation of the Hindu God.

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(After or for Jean Vigo). A study in visual rhythms and structure, using the same basic element repeated with variations.

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A film by Charles Levine

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First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

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A portrait of Sunni, a modern mystic with a BA from Vassar and an MA from Harvard. Her past told with the Tarot cards. She was also publisher/editor of Filmmakers’ Newsletter.

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Shot in 1960 on the set of Jonas Mekas' 'Guns of the Trees'. Dedicated to Ron Rice.

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A film by Charles Levine

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"The collage paintings of Stanley Fisher: sin, sex, and gore blaring across the screen." – P. M. "PEACHES AND CREAM, which closes in on the paintings and gets rid of the spectators' distance, is a spectacular success. The camera supplies visual movement to these spatially static canvases. Something is happening – never mind if it's art. For five minutes or so one can tap one's foot to the music and look." – Arts Magazine

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