Guillermo Massé

When 32-year-old Jazmín is left by the boyfriend she was about to move in with, she takes some time away; through shifting connections and unexpected encounters, she discovers a new way of seeing herself and gains new experiences.

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Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

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Lucio is staying at his sister's house. He has no job and spends his days reading, drawing and watching television. When his sister and her boyfriend leave for a short trip Lucio takes over the whole house but strange things begin to happen.

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It is the year 1998 in Buenos Aires. Chino just turned 21 years old. He is an introverted young man who lives in a small apartment maintained by his parents. He left his Architecture career a few months ago and since then he has spent his time watching films of any kind in different cinema clubs. He lives with Franco, a young man a few years older than him who works on a supposed science fiction film with which he plans to win a contest. He spends his days filming inside the apartment with his camcorder while acting out scenes from the supposed script in a somewhat ridiculous way.

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Lucio falls in love with Irene, a Japanese girl from Buenos Aires, during the course of two days.

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It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

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Three rooms, three different moments of a relationship.

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A small film crew meets a serial killer.

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Gaspar has his first date with Manuela. Gaspar likes Manuela. Manuela doesn't like Gaspar very much, but she likes that Gaspar likes her. They talk about the things that are usually talked about on first dates

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Three situations of vaguely theatrical origin, stripped of all outer clothing, reveal the track of a different cinema. whose realism seeps into the cracks of his apparently self-contained, closed world.

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A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

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