Gunilla Karlzen

Antoine steward on the night train Paris-Venice. He must cards and identity documents of travelers in 'his' pick wagon. One day, a passenger, Jean-Bernard, for protection. He suffers from an unknown illness and he is not alone on the run for scholars who want to use him as a guinea pig, but also for Brandeburg, a trader in human organs.

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The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

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Duncan MacLeod cannot die -- he is a 400-year-old immortal, who has seen his share of humanity's history. Still, he risks his life in battle against other immortals and tries to save people from harm.

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A meeting of two world famous climbers, one an experienced mountaineer the other a sport climber, and a journalist (Ivan) results in a bet on which of the two is the best climber. Roger (the mountaineering expert) states that Martin (the sport climber) wouldn't survive a day on a 'real' climbing expedition, although he is considered to be the world's best sport climber (having just won an indoor 'world championship,' an event depicted in the opening scene). They plan to climb 'Cerro Torre,' in the Patagonia region of South America, near the Argentinian/Chilean border, one of the world's most difficult mountains, especially considering the extreme weather conditions common to the area.

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In this comedy, Thomas and Stephane are a couple of gay men who want to raise a baby. When their efforts to adopt one fall through, they hit on the scheme of having Carole, the (gorgeous) young woman they have saved from a bad relationship, bear a child for them. When she insists that only natural reproduction methods be used, they gamely play good sports by going to bed with her, and become the father(s) of twins.

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For no apparent reason, "the man" decides he is going to live only in the bathroom of his apartment (clothed). Perhaps he wants the isolation he might find there. His solitude destroyed by a bevy of friends, some housepainters hired by his girlfriend, and his family, our philosophical hero makes his way to a nondescript hotel room in Venice, where he spends his time playing darts in his room. When his girlfriend visits him there, he responds to this interruption of his musings by briefly using her forehead as a dartboard. Eventually he returns to his Paris apartment, and reconciles with his injured girlfriend.

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Fred, a commercial director, decides to learn the flute to relieve his stress. His music teacher is none other than Isabelle, a flutist he once saw playing in the subway. He falls under her charm.

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On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

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