Andy Warhol

An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.

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Madonna's rise to fame from 1978 to 1992, exploring her personal life, controversies, and the challenges she faced during that period.

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On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.

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New York, June 3, 1968. Valerie Solanas enters the Factory, Andy Warhol's studio, and fires three shots at him, who miraculously survives, but is seriously wounded. What led this woman to try to kill the famous pop artist, as well as to write a manifesto calling for the eradication of men?

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Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."

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Karl Lagerfeld was an enigmatic figure who spent his life reinventing himself. He ruled the fashion world for decades, making history with his achievements at Chanel, Fendi and his own brand. An extraordinary personality, a fashion Stakhanovite, a tireless worker who created day and night until his last breath. A flamboyant man too, in his appearance and in his words, known for his outbursts mixing perfidy, provocation and self-deprecation. He was also an illusionist, a provocateur, a controversial icon, who used the truth - particularly about his past - to embellish his legend. But where does this determination come from? What were his inspirations and motivations? And behind his enigmatic façade - with his tight suit, ponytail and dark glasses - who really was Karl Lagerfeld?

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Andy Warhol's answer to the question of where he comes from is well known: "From nowhere". His parents emigrated to the USA during the monarchy and thus entered a period of great migration from the territory of today's Slovakia. and reveals the life of man, whose works form a significant part of world culture.

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The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

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Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. "Mickey: The Story of a Mouse" explores Mickey's significance, getting to the core of what Mickey's cultural impact says about each of us and about our world.

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After he's shot in 1968, Andy Warhol begins documenting his life and feelings. Those diaries, and this series, reveal the secrets behind his persona.

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A pioneering artist and cultural icon. His work is a history of 20th-century America. A country reinventing itself - as seen through the legendary artist's eyes.

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Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

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Homage to the cult classic “Mondo Hollywood”, a groovy mushrooms dealer and a man from the 5th dimension journey through Hollywood to find the meaning of “Mondo.”

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A look back at the social movements, revolts and youth subcultures from the post-war period to the present day: after the World War II, the left-bank of Paris became a mecca for jazz and alternative living, youth culture was born with trailblazing American movies, and rock became the soundtrack to a generation that wanted to change everything.

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Legendary and controversial attorney Roy Cohn was a power broker in the rough and tumble world of New York City business and politics. Senator Joseph R. McCarthy’s top counsel during investigations into Communist activities in the 1950s, Cohn is also known for being Donald Trump’s former personal lawyer, fixer and mentor.

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From Iowa to Studio 54, this investigation into the rags-to-riches story of America’s first superstar designer uncovers the cautionary tale of an artist who sold his name to Wall Street.

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Studio 54 was the epicenter of 70s hedonism - a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club's hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.

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The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

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An ambitious and wide-ranging documentary exploring Andre’s upbringing in France, his celebrated career in WWE, and his forays in the entertainment world.

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In a hypercompetitive world, drugs like Adderall offer students, athletes, coders and others a way to do more -- faster and better. But at what cost?

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This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

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Albert and David Maysles' classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill's childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard's recollections and artistic vision, we are returned to "that summer" in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.

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In his latest film, Mekas shares what he describes as “a valentine to Yoko Ono,” done in his signature diaristic style. Mixing the familiar 16mm film with DV video, he offers a fly-on-the-wall look at intimate moments spent with one of the foremost artists of that era, including performances by Ono and new footage of her recent work—a testament to her endurance and the friendships she has made and kept over the years.

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A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

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Warhol Superstar Ultra Violet (Isabelle Colin Dufresne) and Lower East Side Icon Taylor Mead (Poet/Actor/Artist) share their stories of Manhattan in the 1960s.

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Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

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This documentary cracks open the meticulously constructed façade of Andy Warhol, exposing the complex figure behind the soup cans and Marilyns. Director Tania Goldenberg traces the transformation of Andrew Warhola, a shy, churchgoing son of Pittsburgh immigrants, into the silver-wigged icon who redefined modern celebrity while deliberately maintaining a lifelong mask. Behind the iconic person...

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DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.

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Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

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Film tribute to Lou Reed, who died in October, which looks at the extraordinarily transgressive life and career of one of rock 'n' roll's true originals With the help of friends, fellow musicians, critics and those who have been inspired not only by his music but also by his famously contrary approach to almost everything, the documentary looks at how Reed not only helped to shape a generation but also helped to create a truly alternative, independent rock scene, while also providing New York with its most provocative and potent soundtrack. With contributions from Bob Ezrin, Mick Rock, Lenny Kaye, Paul Auster, Moe Tucker, Boy George, Thurston Moore, Andrew Wylie, Victor Bockris, Holly Woodlawn, Mary Woronov and Steve Hunter.

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Featuring a wealth of previously unseen archive, this film looks at how Bowie continually evolved: from Ziggy Stardust to the Soul Star of Young Americans, to the ‘Thin White Duke’. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let’s Dance. With interviews with all his closest collaborators, David Bowie - Five Years presents a unique account of why Bowie has become an ‘icon of our times’.

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A documentary about Anton Perich, brilliant Croatian artist, naturalized New Yorker. He worked as photographer at Andy Warhol's Interview Magazine and has been active member of the Factory since early seventies.

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BBC documentary telling the story of how David Bowie arrived at one of the most iconic creations in pop history - Ziggy Stardust - with contributions from colleagues and famous fans.

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Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

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Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

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Episode one of Warhol's MTV talk show featuring interviews with artists, including Robin Leach, Jerry Hall, Andy Warhol, Debbie Harry, the Pyramid Club, Jelly Joplin, Hapi Phace, John Kelly, Dagmar Onassis, the Lady Bunny, Dean Johnson, Terry Toy, Area, 4D, Katharine Hamnett, Marla Kay, Anna Johnson, Eric Perram, Tracy Johns, Paulina Porizkova, Sally Kirkland, The Parachute Club, Bryan Adams, John Oates, Billy Bryans, Lorraine Segato, Moon and Dweezil Zappa, Curiosity Killed the Cat, Tama Janowitz, Lypsinka, and Carla Steimer.

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Produced by Andy Warhol between 1979–1980 for Manhattan Cable, Fashion was a 10-episode series delving into runway culture, designers (like Halston), models, and makeup. It featured Warhol’s deadpan intros, SX-70 Polaroids, and a fly-on-the-wall style, bridging art, celebrity, and consumerism before MTV's Fifteen Minutes.

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Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.

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Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.

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Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.

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People call each other up just to fight, such a scene in which Brigid Berlin fights on the phone with her mother about her weight and gorges herself with cream pies in bed.

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Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

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An improvised hour-long fight between Brigid Berlin & Charles Rydell. Produced by Andy Warhol.

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Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

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Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

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The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

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Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

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A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

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Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

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At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

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One of Andy Warhol's screen tests, focusing on an actor's face for 4-5 mins.

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A series of Andy Warhol’s screen tests, focusing on an actor’s face for 4-5 mins.

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Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

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Nico, eating a banana, sits alongside French singer-songwriter Antoine. They are seated below a large peel-off ‘Banana’ poster of The Velvet Underground and Nico’s debut album

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Follows various residents of the Chelsea Hotel in 1966 New York City.

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The story of two men (Ed Hood, Patrick Fleming ) in bed whose assignation gets interrupted by friends and neighbours. Hood tries to maintain control of Fleming, as well as the situation, while everyone talks, drinks, smokes, and wrestles on his bed. Double-screen projection runs at 66 minutes.

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The camera zooms in repeatedly on Nico’s features, concentrating on her mouth and eyes.

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International Velvet poses in a sequin dress and oversized earrings, whip in hand, as the camera zooms in and out erratically.

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‘Superboy’ drinks from a bottle of Coca-Cola.

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Antoine has his face illuminated only on the right side; he holds very still throughout, smiling slightly, and doesn’t blink until halfway through the roll.

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A young woman named Phoebe Russell, is filmed wearing beads and a flowered dress; she gazes slightly cross-eyed at the camera, looking pretty but also increasingly melancholy as her eyes tear up. The Screen Test was one of the few shot by Gerard Malanga.

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Compilation reels of silent, black-and-white, 100-foot rolls that were assembled for use as background projection during the filming of other films made in 1966. With few exceptions, the scenes on these rolls are erotically charged and ecstatically shot with a lot of in-camera edits.

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Nico hires a babysitter drag queen (Mario Montez) to babysit her 3-year-old son Ari so Nico can go shopping.

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Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

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Warhol offers his own version of the notorious 1958 Johnny Stompanato murder case.

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Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

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Salvador Dalí is a 35-minute film directed by Andy Warhol. The film features surrealist artist Salvador Dalí visiting The Factory and meeting the rock band The Velvet Underground.

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Screen Test: Helmut, by Andy Warhol, is a five minute silent black and white continuous close-up of a young man’s face. The face remains deathly still other than the occasional blink or involuntary bat of his eyelash. The film is slowed down to about 24-frames per-second to capture these slight movements a bit better, but other than this and the choppy fade-in’s and out’s at the beginning and end respectively, nothing changes throughout the film.

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Andy directs Lou Reed drinking a Coke.

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A man and a woman live in a clothes-cabinet, literally; they contemplate leaving, but never do. For a time only their voices are heard, until they try to have some light, and open the door. The Woman takes an almost maternal role, they share a sandwich and a cigarette, discuss the contents of the closet, and then The Woman wonders if there is any sexual attraction between them. The Man is too shy for that, or to leave the closet.

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