Fuad Alkhar

Dono (Wahyu Sardono), Kasino (Kasino Hadiwibowo) and Indro (Indrojoyo Kusumo) get lost and end up on an island where the only occupants are beautiful young women, except for the tribal chief (Tile) and his three obese daughters. Dono and friends are forced to flee the island when the chief decides they have to marry his daughters. Back at home, Dono meets up with Merry (Fortunella). As usual, Dono and Kasino, along with Indro and Merry, Winny (Kiki Fatmala) and Nia (Sally Marcelina) end up on the beach surrounded by lovely young women in bikinis. The relationships of these three pairs are extremely volatile. Suddenly, as man dressed in Arab garb, accompanied by bodyguards, shows up claiming that Merry has been designated as his wife in an arranged marriage. Kasino defeats the bodyguards, who end up in the hospital. The comedic scenes then shift to the hospital and eventually back to the trio’s home again before the film’s end.

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Hara (Robert Syarief) does not approve of the relationships of his daughters, Rosa (Lia Waroka) and Ira (Kiki Fatmala), with Kadir (Kadir) and Doyok (Doyok Sudarmadji). However, eventually, because the persistent young men appear to be serious, Harja eventually agrees to allow Kadir and Doyok to prove that they are financially independent enough to make it on their own. The two young men then scramble to try to find a way to make some money. First, they try working in a bakery, then they gets jobs as cooks, and then at a poultry farm, etc. They fail at everything they try. A sub storyline tells about Abud (Fuad Alkhar) who is extremely eager to get married.

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The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

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Last sequel of 'Catatan Si Boy' is about starting his business after graduating college. Boy will have to manage his live and business to succeed.

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This film tells the story of a villa owned by a businessman that is used as a commercial place by the occupant. When the owner suddenly comes home, chaos occurs.

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Boy returns to his homeland for a vacation from school in America. Already much has changed, including Vera who is busy with his career as a model photo. Boy feels set aside. To entertain his best friend, Abud, who together with Ina, Boy's sister, opened a boutique in Bali, invited the young man to vacation on the Island of the Gods. There, Boy acquainted with Cindy and immediately familiar. Unfortunately, Vera also did a photo shoot in Bali and caught Boy when alone with Cindy. Boy is confused, but Vera and Cindy decide that they will continue their careers.

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