Salvatore D'Onofrio

In the early '80s, Enzo Tortora is one of the most beloved figures on Italian television. But in the midst of Italy's war against organized crime, Enzo's life is upended when he's falsely connected to the notorious Camorra criminal ring.

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An ambitious production in which a dystopian world is reproduced, where social differences are emphasized by choices of costumes and scenography. The theme is food, its reuse that generates wealth and conviviality, eliminating differences. The intent of the short is to metaphorically represent how waste, leftovers, can be reborn to new life.

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After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples' cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation.

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In 1914, with Italy on the cusp of joining World War I, a group of foreign artists establishes a commune on the rural island of Capri, catching the attention of young Lucia, a local illiterate shepherdess who soon falls under their spell.

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A group of friends, spending the weekend in a house in the isolated countryside, are attacked by a swarm of killer horseflies that feed on human flesh like piranhas. The group soon discovers that the only deterrent that can keep the insects away is THC, the main ingredient that makes up cannabis. Their only hope of survival is therefore given by the consumption of grass, with all the consequences that entails.

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The rise and fall of a Neapolitan criminal clan through the story of a boss and his family, divided between the aspiration for a bourgeois life and the deep impulses of oppression. Thirty years of history of one of the most beautiful and discussed cities in the world, the dream of a boy who is overwhelmed by the desire for power as an end in itself, to become the nightmare of a man and those who live next to him.

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What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.

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The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.

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Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

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Rosario is 11 years old, he lives in the suburbs with his grandmother, a sick woman who spends time watching TV. He is the leader of a small group who spends his days between games rooms, small crimes and dangerous challenges.

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Rosa Funzeca, after twenty years as a prostitute, decides to make a change in her life and to look for an honest job that'll allow her to be reunited with her son Fernando. But things are not easy.

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Pina was born in Portugal but now lives in poor circumstances in Naples. Pina has two daughters, Rosa, who has been wearing a wedding dress since she was left stranded at the altar several years ago, and Caterina, who murdered a man who wronged her as he left the church following his wedding. Caterina winds up in prison alongside Maddalena, a prostitute who witnessed the murder and was inspired to kill a man in her own life who had hurt her. The incidents from these women's lives are interspersed with another story, set in 1929 and filmed in black-and-white, about a man who shoots his wife in a movie theater and must run to avoid the police.

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