Lino Musella

A vividly interwoven tale of secrets and connections, Il rumore delle cose nuove centers on three families whose lives have quietly overlapped in the streets of Milan—unaware of each other—for years. Andrea, a photographer, and Andreina, a nurse, share a haunting truth: Andreina has given a part of herself to keep Andrea alive. Umberto finds solace in alleviating others’ pain at work, yet at home he inflicts suffering upon Alba, once hopeful, now dreamless. In another household, Ralph, who crafts sounds, and Viola, an actress who yearns to live as freely as she performs, are quietly struggling—alongside Mirko, a ten‑year‑old whose presence echoes loudly. As the story unfolds, their ordinary routines unravel under the weight of these “noisy” secrets—some seemingly trivial, others utterly unbearable. Chaos tumbles over the fragile bonds holding them together, forcing confrontations with truths they can no longer ignore.

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Antonio, who fled Naples many years ago, has built a family and a successful career in Milan, far from his mother Angela — a woman excessive in both her virtues and her flaws, irresistible, old-fashioned and hostile like few others — who has come to visit for Christmas and seems determined to stay. Christmas Eve dinner becomes an emotional battlefield, at once comic and fierce, bringing to the surface a past of impositions and misunderstandings. With a stubborn capon that refuses to end up in the pot, a daughter whose arrival remains uncertain, and an unexpected distinguished guest, the evening turns into a reckoning between mother and son destined to change the meaning of their bond forever: a love that burns like a fire within, one that never dies out — not even by leaving.

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In the early '80s, Enzo Tortora is one of the most beloved figures on Italian television. But in the midst of Italy's war against organized crime, Enzo's life is upended when he's falsely connected to the notorious Camorra criminal ring.

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Lucio, the host of a popular radio show, is confident, charismatic, and holds progressive views. He is married to the beautiful Elena, who is insecure and emotionally dependent on her husband. Together, they form a harmonious blended family (which includes Lucio’s first wife and daughter) and have one child together: Blu, a 9-year-old who loves dressing in girls’ clothes and is allowed to do so—by both mom and dad—but only at home. When the school play comes around, however, Blu is determined to wear a Little Mermaid costume on stage. His parents, caught between their desire to support him and their instinct to protect him, find themselves confronting the limits of their open-mindedness. They embark on a journey of self-awareness and acceptance, joined by a diverse group of “Unicorn Parents” led by a compassionate psychologist.

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1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

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A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

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Naples told, through the centuries, in an anthology: Dadapolis by Fabrizia Ramondino and Andreas Friedrich Müller. A city always full of ferment, culture but also contradictions. In the film, however, today's city is told through the eyes of about sixty artists who live and work between Naples and abroad. A kaleidoscopic story made up of performances, songs, works of art and dialogues that narrate the transformations of a city, which never before has turned out to be so topical.

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It’s Ferragosto, Italy’s mid-August holiday, in a practically deserted hospital in Naples. Two nurses, Angelo and Salvatore, are on shift when a desperately ill patient is wheeled in. With his seasoned eye, Angelo knows at once that Mr. Caputo won’t last the night. Salvatore happens to loathe Angelo and decides to bet on the opposite outcome. The winner of the bet will nab the top holiday slot: Christmas vacation. Angelo takes up the challenge. From that moment on, Salvatore will spend the night trying to keep Mr. Caputo alive, while Angelo will play dirty to make sure he wins the bet. That night, it’s anything goes at their hospital, from the nurses’ cheap shots to doctors on cocaine and suspicious characters lurking in the ward.

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Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.

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The film tells, through the gaze of a child, the life of the survivors of the Amatrice earthquake who live in a tent city, in what could be called a new community.

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Considered the heart of the south of Italy, Naples has enraptured its inhabitants and visitors for generations. In the fascinating documentary MAGIC NAPLES, actor/director Marco D'Amore (Gomorrah) sets out to uncover why his beloved Naples is said to be magical. D’Amore presents the city as a world suspended between reality and representation, ruthless truth and admirable fiction. With curiosity and attention, he unearths its mysteries, legends, tragedies, love and a three-thousand-year-old maze of tunnels - the tomb of the secrets on which the entire city rests.

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Princess is a young illegal immigrant from Nigeria who sells her body on the outskirts of a big city. Like an Amazon on the hunt, protected by her friends, she moves through a pinewood that stretches as far as the sea, an enchanted forest in which to find refuge, hide away from life and earn her daily bread. Every day, in order to survive, Princess has to steer clear of dangers and sentiments, follow the scent of money and dupe her clients. Her life is a succession of days that are always the same, one joins to another, without a break. Until one day, driven by an inner force to break the shackles of cynicism and exploitation, she quarrels with the friends with whom she shares the street and meets a man who wants to save her, but first she will have to save herself.

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The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

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An unlikely group of soldiers and courtiers led by Marcount Berlocchio and his new bride Bernarda take possession of a distant fief. But their castle is a decrepit dump and their villagers aren't willing to be ruled.

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In 1938 Italy, after Jews are banned from public life, fascist-abiding restaurateur Luciano nonetheless believes he can still live by his own rules. Everything changes when Anna, a girl with a dangerous secret, begins working at his business.

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In 1980s Naples, an awkward teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

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Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

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The Lo Giglio couple receive a visit from a man who introduces himself as an agent of the Camorra. He has come to collect the money needed to keep their son Damiano in hiding, now more than 18 years away from home. The scene repeats itself every four to five months, and this regular appointment is a way for the parents to feel close to him and hope that everything is going well.

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In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

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Super-talented footballing prodigy Martin is bought by top club Inter Milan, aged just 16. It’s the chance of a lifetime – but at what price?

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1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.

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Nino and Caterina have been married for 65 years. After Caterina's death, their daughter Elisabetta, trying to help her father to overcome the loss, hires an author to write a book on their love story.

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To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

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In the Campania countryside, Pasquale Cardinale, an elder ranger, spends his days between alcohol and video poker. To settle the debts he organizes a scam of 200 white pure goldfinches, replacing them with common ones, but it will not end as expected.

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Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.

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In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

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A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

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When the most important friend in her life seems to have disappeared without a trace, Elena Greco, a now-elderly woman immersed in a house full of books, turns on her computer and starts writing the story of their friendship.

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Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

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A shot breaks the silence of the night, four men flee from the scene of the crime. Umberto "Yes and No", the infallible killer of the Caputo clan, has just killed the wrong man. Now he will have to account to the boss. Unfortunately, the victim is the nephew of Tonino O 'Infame, the city's most feared boss. But this does not seem to be the biggest problem: Umberto "Yes and No" hides a terrible secret.

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Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

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