Ulises Porra

1819. A young Spanish heir, a Chinese weaver, and a Haitian deserter struggle to find their place and humanity in the tense cultural crossroads of the colonial Caribbean. They embark on the ambitious endeavor of establishing a silk factory in the very heart of the island of Hispaniola.

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Sara and her nanny Yarisa have a relationship that seems to transcend their class conditions: they are the closest thing to a daughter-mother, but an accident will test their intimate loyalty and the innocent illusion of never separating.

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After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.

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1819. A young Spanish heir, a Chinese weaver, and a Haitian deserter struggle to find their place and humanity in the tense cultural crossroads of the colonial Caribbean. They embark on the ambitious endeavor of establishing a silk factory in the very heart of the island of Hispaniola.

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In a town in rural southern Spain, Antonia, a teenage mother, disappears in the middle of the night, leaving her baby behind. Fifty years later in Barcelona, Carmen, an introverted casting director, is looking for people to share their experiences of arriving in a new city. In her search, Carmen meets Antonia, an impulsive woman who intrudes into her loneliness. Who says that time heals all wounds?

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Sara and her nanny Yarisa have a relationship that seems to transcend their class conditions: they are the closest thing to a daughter-mother, but an accident will test their intimate loyalty and the innocent illusion of never separating.

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18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.

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