Gláucia Vandeveld

A Black Brazilian family in the city of Belo Horizonte, tries to rebuild their home after a recent loss. Caught between memories and nightmares, and unable to express what they feel to each other, a mother and her children shield themselves from the pain of grief through their individual routines. Only the youngest child understands the secret that the house holds within its four walls and tries to reveal it to the others, only to fall on deaf ears. Finally, confronted with the truth, they face the deep roots of their grief and come together to traverse this moment with love and courage.

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The night of Belo Horizonte, Brazil, is a time capsule that relativizes the passage, blurs the senses, and recasts the definitions of future in the life of young Junior - who cannot wait to be emancipated from absolutely everything.

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Cássia goes to sleep to the sounds of her alcoholic father and wakes up with the crow of her rooster bred for cockfighting. Her routine obeys a disciplined logic of restlessness and hard work. Between driving her father's taxi and tending their rooster, she is on the verge of breaking out to find a life of her own.

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On the eve of a future-defining championship, promising 17-year-old volleyball player Sofia is faced with an unwanted pregnancy. Seeking an illegal termination, she becomes the target of a fundamentalist group determined to stop her at any cost – but neither Sofia nor those who love her are willing to surrender to the blind fervor of the swarm.

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Maria José Novais Oliveira, a black woman, resident on the outskirts of Contagem, already in her 60s, has become a film actress, with an award-winning career in Brazil and internationally. This documentary recalls the image of a unique woman who marked Brazilian cinema in the 2010s.

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Angela collects diagnostics of diseases she has never had, but a new friendship might bring this peculiar collection to an end.

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The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.

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“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.

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André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

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As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.

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Within me lives a silence. At night, he goes with his claws, hunting for something to scream.

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Small great events of a family summer in the countryside.

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