Chulayarnnon Siriphol

a sonic and moving image collaboration between Liew Niyomkarn and Chulayarnnon Siriphol, commissioned by Sofia Lemos, for the multi-platform research programme SONIC CONTINUUM. Borrowing from the language of cosmetics advertisement, mass media and Thai soap opera, the work addresses questions around voice and speech in the context of the recent mobilisations in Bangkok. Using sound synthesis, Niyomkarn contrasts melodic parallels between the Thai anthem and the popular song 'Golden Land’ with dialogues and conversations ripped from and recorded in global protest events. Drawing on these sonic granularities, Chulayarnnon folds digital noise into an otherwise common manifestation of a capitalised gendered division of affects, intimacy and politics in contemporary Thailand.

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Banned at the Thailand Biennale Krabi 2018, this film is based on the history of Khao Kha Nab Nam, Krabi. Filled with fantasy and historical facts, it treads the line between fiction and folklore.

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In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.

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An adaptation of Sri Burapha (Kulap Saipradit)'s 1937 influential Thai novel, Behind the Painting. Forget Me Not is an attempt to reread the novel and also reread Thai political history at the same time.

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A collection of short films by five Thai directors imagining their country ten years into the future.

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The ideal world of perfect goodness is a spiritual refuge for people nowadays. Unsurprisingly, some sects, new religions and politic group are growing.

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n 2013, Chulayarnnon Siriphol was hired to produce an educational short film about osteoarthritis titled A Cock Kills A Child By Pecking On The Mouth Of An Earthen Jar. It was agreed verbally that Siriphol could submit this work to any open call competitions under his own name. However, after winning the Vichitmatra Award from the 17th Thai Short Film and Video Festival, he was accused of violating the film copyright and obliged to give the award certificate to the hired organization. After returning the award certificate, he later gave away 100 copies of the certificate to anyone for free, re-rendered the work multiple times deteriorating video, and distributed it as an edition of 100 artwork, selling each DVD for 100 Baht.

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Blessing for people who are suffering from political problems in Thailand.

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ANGSUMALIN 48 is the full name of ANG48, which stands for the fictional organization Alliance of Nippon Girls 48. The film is a synthesis of archival materials from Asian film history, from different countries. The result is an intelligent operating system of 48 digits, born into a half-human, half-golden-snail figure. ANGSUMALIN 48 can dissolve and become invisible to human eyes in order to penetrate through the air as a secret cultural agent. ANGSUMALIN 48 women have the role of building connections, spreading good relations, and providing support for the alliance of Asian women in different countries to rise up and release their past pain—from WWII to the Cold War to today. The name of this operating system is chosen to commemorate and give honor to Angsumalin, a fictional character from the Thai novel Khu Kam (1969) by Thommayanti, and an emblem of honesty, loyalty, and love for the homeland.

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The anthem “The Internationale” has been celebrated by communists, socialists, anarchists and democratic socialists. This anthem was adapted to rock music by Chinese band, Tang Dynasty, in 1992. Chulayarnnon Siriphol created this music video when he was an artist in residence at Organhaus Art Space, Chongqing, China in July 2018.

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ANGSUMALIN 48 is the full name of ANG48, which stands for the fictional organization Alliance of Nippon Girls 48. The film is a synthesis of archival materials from Asian film history, from different countries. The result is an intelligent operating system of 48 digits, born into a half-human, half-golden-snail figure. ANGSUMALIN 48 can dissolve and become invisible to human eyes in order to penetrate through the air as a secret cultural agent. ANGSUMALIN 48 women have the role of building connections, spreading good relations, and providing support for the alliance of Asian women in different countries to rise up and release their past pain—from WWII to the Cold War to today. The name of this operating system is chosen to commemorate and give honor to Angsumalin, a fictional character from the Thai novel Khu Kam (1969) by Thommayanti, and an emblem of honesty, loyalty, and love for the homeland.

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"Viriyaporn Boonprasert" is the name of a filmmaker who has been making social satire films since 2012, and no one knows who she is until now. But Viriyaporn's films reflect the condition of Thai society and Thai politics in the past to the present.

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Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice.

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In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.

Open details →

In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.

Open details →

A collection of short films by five Thai directors imagining their country ten years into the future.

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