Katherine Haber

A documentary about the making of Sam Peckinpah's 1972 classic film The Getaway.

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A documentary about the making of Sam Peckinpah's last western, "Pat Garrett and Billy the Kid" (1973).

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A documentary about Sam Peckinpah's personal director's cut of his last film The Osterman Weekend (1983); recently restored by film historian Mike Siegel. Siegel documents the discovery and acquisition of the 35mm print after 24 years of unprotected storage; outlining the process of cleaning and scanning the film as well as some assets now lost to time.

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Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.

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A new documentary about Sam Peckinpah's 1974 film 'Bring me the head of Alfredo Garcia'.

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A documentary about Sam Peckinpah's "Cross of Iron," shot in Yugoslavia in 1976.

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The definitive 3½-hour documentary about the troubled creation and enduring legacy of the science fiction classic 'Blade Runner', culled from 80 interviews and hours of never-before-seen outtakes and lost footage.

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A short documentary on Jerry Fielding's life and work, and the shocking removal of his music from The Getaway in 1972.

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Enter the world of Syd Mead, legendary "VISUAL FUTURIST" behind such films as "Blade Runner", "TRON", "Aliens", "2010", and experience his art like never before. Explore his life and career spanning the entire design spectrum from his early beginnings at Ford, and designing consumer products for Philips, to 747 interiors in the Middle East, including a yacht for Donald Trump. This feature length documentary offers a compelling portrait of a man revered around the world, and a detailed look into the field of design, including work by the artist which has never been seen, until now...

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An hour-long documentary designed to celebrate the spirit of the independent filmmaker from D.W. Griffith to Quentin Tarantino. Interview footage and film clips are blended together to form a chronological approach to the subject matter.

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A portrait of director Sam Peckinpah focusing more on his personal life than his moviemaking - featuring lots of interviews, backstage footage and even some of his TV commercials and rock videos.

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Katherine Haber and Paul Seydor discuss the making of Pat Garrett and Billy the Kid (1973).

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Friends, family, co-stars and admirers of actor Steve McQueen talk about his life and his movie career.

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Portrayal of a talented, influencial and troubled artist: a filmmaker who fought his own demons and seemed to live his own legend like no other director. Against all odds Sam Peckinpah was able to create a very personal body of work in the studio system of Hollywood and with his powerful directing and editing style changed the way of filmmaking forever. Legendary for his use of slow-motion violence, various scandals and his ongoing problems with sudios and producers, the story of Peckinpah is filled with tragedy, humor, success and defeat.

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An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

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Documentary about the making of Sam Peckinpah's 1971 film "Straw Dogs."

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This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.

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This straight-talking program seeks to understand the enigmatic and controversial Sam Peckinpah, whose violent films such as The Wild Bunch and Straw Dogs had a telling effect on the cinema of the 1970s and 80s. Those who knew and worked with him, including actor James Coburn, actress Ali MacGraw, his associate Katherine Haber, his cousin Bob Peckinpah, and several screenwriters and producers, examine his life in an attempt to separate the man from the persona. Clips from key films reinforce this detailed discussion of Peckinpah's art and a fixation on violence that still permeates Hollywood today.

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Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.

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It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.

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