Maurice Béjart

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This show allows us to rediscover Maurice Béjart's career and greatest creations. Recorded at the Palais des Sports on May 31st and June 1st 2005.

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Acclaimed Ukranian dancer Svetlana Zakharova, who later became one of the youngest ballerinas in Moscow’s Bolshoi Ballet, stars in the title role of the famed Romantic ballet «Giselle,» recorded at the Teatro alla Scalla in Milan in April 2005. The production, with a libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier, and music by Adolphe Adam, also features La Scala star Roberto Bolle as Albrecht.

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Gerd Andersson and Ellen Rasch are both prima ballerinas who now look back on their rich dance lives and their collaborations with various choreographers.

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ETOILES: DANCERS OF THE PARIS OPERA BALLET celebrates the legacy one of the best ballet companies in the world by weaving together rehearsals, tour snapshots and performances of classical ballets such as Swan Lake and La Sylphide, as well as contemporary works such as Maurice Bejart's Ninth Symphony, Jiri Kylian's Doux Mensonge (Sweet Lies) and Pierre Darde's Orison. Celebrated filmmaker Nils Tavernier endeavors to understand the psychology of dance by talking candidly with some of the biggest stars in dance today. The film also features interviews with the dancers who explain how and why they endure the emotional and physical hardships of their profession in their intense drive to be on stage.

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The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.

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"Chronicles of the Present Times" - An experimental trilogy. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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A documentary that pretends to be a fictional film. About the work and the life of a man, a man called Pierre Henry at the beginning of the film and who ends up calling himself "someone".

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Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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Maurice Béjart answers an interview about choreographic creation; it shows ballets and improvisations. The film was screened for the 1970 Directors' Fortnight, at the Cannes Festival.

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Basu calls his psychiatrist to tell him a singular adventure. In a ruined abbey, he witnesses an unusual wedding in the presence of a tribunal. He runs away with the young bride. After a fleeting happiness, he returns alone. He thinks he dreamt of this, but there is a memory left.

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Doctor Hortobagy is a lonely, used old man, haunted by his memories... The German occupation, the Jews, a denunciation... He feels tracked, but is he really? A night where dream and reality, past and present, will merge, events are unfolding quickly.

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A castle lost in the middle of the woods. A train track cutting through the countryside. No train ever stops at the tiny station that serves the castle. A young woman, with paralysed legs, spends her time watching out for the train's passing. One day, the train stops and a young man gets out. He seems to know the place. What did he come to do ?

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Paul Géniat, television director, is brought to tear multiple photographs. The one of a boxer who, at the exact same time, collapses on the ring, dead. The one of his ex-wife next, who lives in Congo and soon knows a tragic end. When Paul Géniat learns of these curious coincidences, he is convinced that he is responsible for these deaths. At that moment, he realises that he just tore one last photography, the one of the woman he loves.

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The "Symphony for a man alone" was composed from 1949 to 1950 by Pierre Schaeffer and Pierre Henry, and then finalised in 12 movements by Pierre Henry in 1951. This is the first major work of musique concrete. In 1955, Maurice Béjart has made the first ballet of musique concrète.

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Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.

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Mudra Afrique, founded in 1977 in Dakar by Léopold Sédar Senghor and Maurice Béjart, was an important dance school that mixed traditional African dance with modern styles. Germaine Acogny, a skilled teacher, along with dancer, actress Irène Tassembédo and musician Doudou Rose Ndiaye, were key figures in the school. Their work helped Mudra Afrique leave a strong mark on African contemporary dance and music.

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