Olivia Cowley

An ancient family feud casts a long shadow over the town of Verona. In this hothouse of tension, brawls are quick to break out and both sides get caught in the crossfire.

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Anna Rose O'Sullivan and Marcelino Sambé star in this 20th-century ballet masterpiece, brought to life by Prokofiev’s ravishing score and Kenneth MacMillan's evocative and detailed choreography.

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The Royal Ballet brings their annual presentation of The Nutcracker to life, streamed in cinemas throughout the world.

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A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

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Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

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Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.

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Two Frederick Ashton ballets in one exquisite evening performance. Principals Natalia Osipova and Steven McRae dance Ashton's Rhapsody, created for The Royal Ballet in 1980 by Mikhail Baryshnikov and Lesley Collier, with spectacular choreography to suit the dancers' star reputations. Lauren Cuthbertson and Vadim Muntagirov lead a charismatic cast in Ashton's poignant and heart-warming reflection on Love, The Two Pigeons, based on an old French folk tale and first performed on Valentine's Day 1961. These two ballets by the Company's Founder Choreographer capture The Royal Ballet's famous skill and distinctive style. Barry Wordsworth conducts the Orchestra of the Royal Opera House in the rapturous Rachmaninoff and Messager scores.

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The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.

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