Rolland D'Amour

A day in the life of two Québec families reunited for their children's wedding.

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In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

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The story, in three stages, of a friendship between three guys. They have taken different paths, but find themselves equally faced with the failure of their lives. The parody is not exempt from what remains a fine analysis of behavior and environment. For these three Quebecers are, in a way, us, as we have been rendered by a society in search of itself.

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This fictional feature follows a twenty-something man who is struggling to define his position in the world in early adulthood. He has left their parents' home but still has not made an home of his own. Our protagonist’s alienation is palpable; for him life is a game, not because he chooses to make it so, but because he is unable to make anything more of it. But for those who befriend him and eventually turn him loose again, his game is not enough.

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Rue des Pignons was a French-Canadian TV series which ran from 1966 to 1977. Radio-Canada has reportedly lost most of the episodes of the series, only managing to trace about 35 of the 427 episodes from 1966 to 1977. The program's theme song was composed and recorded by Pierre Brabant who also played much of the show's background music.

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A misfit desperately looking for the murderer who has just killed his wife.

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Pioneers struggle to establish a town in the harsh unsettled wilderness of northern Quebec during the depression.

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A little girl wittness the death of her mother- expressly killed through negligence by the woman supposedly nursing the invalid mother back to health. The coniving nurse in turn marries the child's father thereby taking the dead woman's place and becoming the little girl's stepmother. After unwisely revealing to the stepmother that she knows the reason for her mother's death; Aurore is abused by her stepmother who hopes that in torturing the child she can keep her silent. The father, who is absent during the day farming the land, closes his eyes or refuses to believe his new wife is abusive when confronted by the sight of his miserable burnt and beaten child.

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A convict on the run returns to his native village to see his daughter again, who believes him to be dead. The priest intervenes to avoid a scandal that would reflect on the young girl on the eve of getting married.

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A tiny Quebec community is thrown into an uproar when a tall young Texan named Bill arrives to claim a farm he has inherited. Bill's inability to speak French, and his apparent unwillingness to learn the language, foments plenty of ill will in the community. The story is resolved with an abundance of warmth and humor, sometimes hokey, sometimes hilarious.

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After hearing that a famous actress is dying in a hospital after being hit by a car, a reporter goes to the hospital to interview the actress. She then tells the reporter that her wealthy fiance, who was killed in an accident several years before, was actually murdered. Before long the reporter finds herself in a web of corruption, mental illness and murder.

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A widower is struggling to raise his five children, when he finds a rich brother who imagines he will make them happy by unwittingly destroying their modest projects. After many disasters, the uncle will be more understanding and repair his wrongs. A duel to finish: moral values ​​and love against money and selfishness, in the Quebec of the 1940s.

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