Darrell Wasyk

Elise, a factory worker who lives in isolation and is tormented by her co-workers, decides that despite her lack of money, she must get her coat fixed. A case of mistaken identity pulls her into events she had not intended. (Wikipedia)

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The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

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Matthew, a young medical student from Toronto, Ontario, returns to his birthplace in Guyana on receiving a letter from his mother three months after her death. Prompted by his surroundings to sort through the idealized memories of his childhood, Matthew reaches the horrifying realization that he has returned to a world which he was never a part of. Contemporary Guyanese reality highlights the white colonialist privilege his family had enjoyed.

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A junkie couple board themselves in their apartment while they try to kick their heroin habit.

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Matthew, a young medical student from Toronto, Ontario, returns to his birthplace in Guyana on receiving a letter from his mother three months after her death. Prompted by his surroundings to sort through the idealized memories of his childhood, Matthew reaches the horrifying realization that he has returned to a world which he was never a part of. Contemporary Guyanese reality highlights the white colonialist privilege his family had enjoyed.

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A junkie couple board themselves in their apartment while they try to kick their heroin habit.

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